Dict: all - mus

tcr.html:

MUSIC @ (A) MUSICAL INSTRUMENTS

(1) General References to- kjv@Genesis:4:21; kjv@1Samuel:10:5; kjv@2Samuel:6:5; kjv@1Kings:10:12; kjv@1Chronicles:16:42; kjv@1Chronicles:23:5 kjv@2Chronicles:7:6; kjv@2Chronicles:30:21; kjv@Nehemiah:12:36; kjv@Job:21:12; kjv@Ecclesiastes:2:8; kjv@Isaiah:5:12; kjv@Daniel:6:18

(2) Names of Cornet- kjv@2Samuel:6:5; kjv@Psalms:98:6; kjv@Hosea:5:8 Cymbals- kjv@2Samuel:6:5; kjv@1Chronicles:15:16; kjv@2Chronicles:29:25; kjv@Ezra:3:10; kjv@Psalms:150:5; kjv@1Corinthians:13:1 Dulcimer- kjv@Daniel:3:5 Flute- kjv@Daniel:3:5 Harps- kjv@Genesis:4:21; kjv@1Samuel:16:23; kjv@2Samuel:6:5; kjv@1Kings:10:12; kjv@1Chronicles:25:3; kjv@Nehemiah:12:27 kjv@Job:21:12; kjv@Psalms:137:2; kjv@Isaiah:5:12; kjv@Revelation:5:8; kjv@Revelation:14:2; kjv@Revelation:15:2 Organs- kjv@Genesis:4:21; kjv@Job:21:12; kjv@Job:30:31; kjv@Psalms:150:4 Pipes- kjv@1Samuel:10:5; kjv@1Kings:1:40; kjv@Isaiah:5:12; kjv@Isaiah:30:29; kjv@Jeremiah:48:36 Psalteries- kjv@1Samuel:10:5; kjv@2Samuel:6:5; kjv@1Chronicles:13:8; kjv@2Chronicles:5:12; kjv@2Chronicles:9:11; kjv@Psalms:33:2; kjv@Psalms:150:3; kjv@Daniel:3:5 Sackbut- kjv@Daniel:3:5 Tabrets- kjv@Genesis:31:27; kjv@1Samuel:10:5; kjv@1Samuel:18:6; kjv@Isaiah:5:12; kjv@Isaiah:24:8; kjv@Ezekiel:28:13 Timbrels, or tambourines- kjv@Exodus:15:20; kjv@Judges:11:34; kjv@2Samuel:6:5; kjv@Job:21:12; kjv@Psalms:68:25; kjv@Psalms:81:2; kjv@Psalms:150:4 Trumpets (a) Used in War- kjv@Numbers:10:9; kjv@Numbers:31:6; kjv@Joshua:6:4; kjv@Judges:3:27; kjv@Judges:6:34; kjv@1Samuel:13:3 kjv@2Samuel:2:28; kjv@2Samuel:20:1; kjv@2Chronicles:13:12; kjv@Job:39:24; kjv@Ezekiel:33:3; kjv@1Corinthians:14:8 (b) Used in Worship and celebrations- kjv@Leviticus:25:9; kjv@Numbers:10:10; kjv@1Kings:1:34; kjv@2Kings:9:13; kjv@2Kings:11:14; kjv@2Chronicles:5:12; kjv@2Chronicles:20:28; kjv@2Chronicles:29:26 kjv@Ezra:3:10; kjv@Nehemiah:12:35; kjv@Isaiah:27:13 Viols- kjv@Isaiah:5:12; kjv@Isaiah:14:11; kjv@Amos:5:23; kjv@Amos:6:5

(3) Full Orchestra- kjv@2Samuel:6:5; kjv@1Chronicles:23:5; kjv@2Chronicles:5:12; kjv@2Chronicles:29:27; kjv@Ezra:3:10; kjv@Nehemiah:12:27 kjv@Psalms:68:25; kjv@Daniel:3:5 (B) MUSICIANS

(1) General References to- kjv@Genesis:4:21; kjv@1Samuel:16:16; kjv@1Chronicles:25:7; kjv@2Chronicles:34:12

(2) Players on Instruments- kjv@1Samuel:16:16; kjv@1Samuel:18:10; kjv@2Kings:3:15; kjv@Psalms:68:25; kjv@Ezekiel:33:32 - Youthful.
See YOUNG PEOPLE (C) SINGING

(1) A Religious Duty- kjv@Psalms:81:1; kjv@Psalms:95:1; kjv@Isaiah:30:29; kjv@1Corinthians:14:15; kjv@Ephesians:5:19; kjv@Colossians:3:16; kjv@James:5:13 Praise God, GRATITUDE

(2) Examples of- kjv@Numbers:21:17; kjv@2Chronicles:20:22; kjv@Ezra:3:11; kjv@Mark:14:26; kjv@Acts:16:25; kjv@Revelation:5:9 Praise

(2), GRATITUDE New Song, NEW MAN (D) ANCIENT CHOIRS Regularly Employed- kjv@1Chronicles:9:33 Assisted by an Orchestra- kjv@1Chronicles:15:16 Vested Choir led by Precentor- kjv@1Chronicles:15:27 A Great Chorus Choir God gave to Heman fourteen sons and three daughters- kjv@1Chronicles:25:6,7 A Militant Choir, songs lead to victory- kjv@2Chronicles:20:21; kjv@2Chronicles:23:13; kjv@2Chronicles:35:15; kjv@Ezra:2:65; kjv@Nehemiah:12:42; kjv@Ecclesiastes:2:8 (E) SONGS

(1) Idle- kjv@Psalms:69:12; kjv@Amos:5:23; kjv@Amos:6:5; kjv@Amos:8:10

(2) In the night- kjv@Job:35:10; kjv@Psalms:42:8; kjv@Psalms:77:6; kjv@Psalms:149:5; kjv@Isaiah:30:29; kjv@Acts:16:25

(3) Of Victory- kjv@Exodus:15:1; kjv@Judges:5:1; kjv@Revelation:14:3; kjv@Revelation:15:3

MUSTARD SEED @ kjv@Matthew:13:31; kjv@Matthew:17:20; kjv@Mark:4:31; kjv@Luke:13:19

smith:

MUSHI - M>@ - (yielding), the son of Merari the son of Kohath. kjv@Exodus:6:19; kjv@Numbers:3:20; kjv@1Chronicles:6:19 kjv@1Chronicles:6:47 kjv@1Chronicles:23:21-23 kjv@1Chronicles:24:26 ,30)

MUSIC - M>@ - The most ancient music.
The inventor of musical instruments, like the first poet and the first forger of metals, was a Cainite. We learn from kjv@Genesis:4:21) that Jubal the son of Lamech was "the father of all such as handle the harp and organ," that is, of all players upon stringed and wind instruments. The first mentioned of music in the times after the deluge is in the narrative of Laban’s interview with Jacob, kjv@Genesis:32:27) so that, whatever way it was preserved, the practice of music existed in the upland country of Syria, and of the three possible kinds of musical instruments two were known and employed to accompany the song. The three kinds are alluded to in kjv@Job:21:12) On the banks of the Red Sea Moses and the children of Israel sang their triumphal song of deliverance from the hosts of Egypt; and Miriam, in celebration of the same event, exercised one of her functions as a prophetess by leading a procession of the women of the camp, chanting in chorus the burden of the song of Moses. The song of Deborah and Barak is cast in a distinctly metrical form, and was probably intended to be sung with a musical accompaniment as one of the people’s songs. The simpler impromptu with which the women from the cities of Israel greeted David after the slaughter of the Philistines was apparently struck off on the spur of the moment, under the influence of the wild joy with which they welcomed their national champion. "the darling of the sons of Israel." ( kjv@1Samuel:18:6-7) Up to this time we meet with nothing like a systematic cultivation of music among the Hebrews, but the establishment of the schools of the prophets appears to have supplied this want. Whatever the students of these schools may have been taught, music was an essential part of their practice. Professional musicians soon became attached to the court. The golden age of Hebrew music . David seems to have gathered round him "singing men and singing women." (2 Samuel 19:35) Solomon did the same, kjv@Ecclesiastes:2:8) adding to the luxury of his court by his patronage of art, and obtaining a reputation himself as no mean composer. (Kings:4:32) But the temple was the great school of music, and it was consecrated to its highest service in the worship of Jehovah. Before, however the elaborate arrangements had been made by David for the temple choir, there must have been a considerable body of musicians throughout the country. (2 Samuel kjv@6:5) (David chose 4000 musicians from the 38,000 Levies in his reign, or one in ten of the whole tribe. Of these musicians 288 were specially trained and skillful. ( kjv@1Chronicles:26:6-7) The whole number was divided into 24 courses, each of which would thus consist of a full band of 154 musicians, presided over by a body of 12 specially-trained leaders, under one of the twenty-four sons of Asaph, Heman or Jeduthun as conductor. The leaders appear to have played on the cymbals, perhaps to make the time. ( kjv@1Chronicles:15:19 kjv@1Chronicles:16:5) All these joined in a special chant which David taught them, and which went by his name. ( kjv@1Chronicles:23:5) Women also took part in the temple choir. ( kjv@1Chronicles:13:8 kjv@1Chronicles:25:5-6) These great choirs answered one to another in responsive singing; thus the temple music most have been grand and inspiring beyond anything known before that time. Character of Hebrew music .
As in all Oriental nations, the music of the Hebrews was melody rather than harmony, which latter was then unknown. All old and young, men and maidens, singers and instruments, appear to have sung one part only in or in octaves. "The beauty of the music consisted altogether in the melody;" but this, with so many instruments and voices, was so charming that "the whole of antiquity is full of the praises of this music. By its means battles were won, cities conquered, mutinies quelled, diseases cured."
ED.) Uses of music .
In the private as well as in the religions life of the Hebrews music held a prominent place. The kings had their court musicians, ( kjv@2Chronicles:35:25; kjv@Ecclesiastes:2:8) and in the luxurious times of the later monarchy the effeminate gallants of Israel amused themselves with devising musical instruments while their nation was perishing ("as Nero fiddled while Rome was burning"). But music was also the legitimate expression of mirth and gladness The bridal processions as they passed through the streets were accompanied with music and song. kjv@Jeremiah:7:34) The music of the banquets was accompanied with song and dancing. kjv@Luke:15:26) The triumphal processions which celebrated victory were enlivened by minstrels and singers. kjv@Exodus:15:1-20; kjv@Judges:5:1 kjv@Judges:11:34) There were also religious songs. kjv@Isaiah:30:29; kjv@James:5:13) Love songs are alluded to; in kjv@Psalms:45:1) title, and Isai 5:1 There were also the doleful songs of the funeral procession, and the wailing chant of the mourners. The grape-gatherers sang at their work, and the women sang as they toiled at the mill, and on every occasion the land of the Hebrews during their national prosperity was a land of music and melody.

MUSICAL INSTRUMENTS OF THE HEBREWS - M>@ - (There has been great obscurity as to the instruments of music in use among the Hebrews, but the discoveries on the monuments of Egypt and Assyria have thrown much light upon the form and nature of these instruments. I. STRINGED INSTRUMENTS.
The harp or lyre.
See illustration The psaltery , the name of various large instruments of the harp kind. The sackbut , a harp-like instrument of four strings and of triangular form. A kind of lute or guitar (mahalath), in titles to kjv@Psalms:53:1) and Psal 88:1 With a long, flat neck, and a hollow body of wood whose surface was perforated with holes. There were three strings, end the whole instrument was three or four feet long. The gittith , in titles to kjv@Psalms:8:1 kjv@Psalms:81:1 kjv@Psalms:84:1 ) a stringed instrument, probably found by David st Gath, whence its name. II. INSTRUMENTS OF PERCUSSION. The timbrel , a form of tambourine, a narrow hoop covered with a tightened skin, and struck with the hand on the Egyptian monuments are three kinds
the circular, the square, and another formed by two squares separated by a bar. The drum (toph). Of this there were many varieties, some of them resembling modern drums. The Egyptians had along drum, of wood or copper, 2 1/2 feet long, resembling the tom-tom of India, and beaten by the hand. Another form was shaped like a cask with bulging centre, and was made of copper. It was of the same length as the other, but larger around, and was beaten with sticks. Another drum was more like our kettledrum; and one of these, the rabbins say, was placed in the temple court to the priests to prayer, and could be heard from Jerusalem to Jericho. Bells (paanton), attached to the high priest’s dress, and rung by striking against the knobs, shaped like pomegranates, which were hung near them. Cymbals . The earliest cymbals were probably finger cymbals -small plates of metal fastened to the thumb and middle finger, and struck together. Afterward there were the large cymbals, played with both hands. Systra (menaanim), (2 Samuel kjv@6:5) there translated comets. The systrum was a carved bronze or copper frame, with a handle, in all from 8 to 18 inches long, with movable rings and bars. It was shaken with the hand, and the rings and bars made a piercing metallic sound by striking against the bronze frame. The triangle (shalishim), ( kjv@1Samuel:18:6) a musical instrument (machol) used for accompanying the dance, and several times translated dancing. kjv@Psalms:150:3-45) It was a metallic rim or frame sometimes with a handle and had small bells attached to it, or bars across on which were strung metallic rings or plates. It was held in the hand, and was played by the women at weddings and merry-makings. III. WIND INSTRUMENTS.
The syrinx, pandean pipe or bagpipe (ugab); translated "organ" in kjv@Genesis:4:21) Either like the bagpipe, or a series of pipes from 5 to 23 in number, though usually only 7. The horn ,in the form of an animal’s horn even when made of metal but originating in the use of the horns of cattle. The trumpet (shophar) same as horn, 2. The straight trumpet . The flute (halil , meaning "bored through "), a pipe perforated with holes, originally made from reeds, but afterward of wood bone, horn or ivory. It was chiefly consecrated to joy or pleasure. The flute , alluded to in kjv@Daniel:3:6) probably a kind of double flageolet. The dulcimer , kjv@Daniel:3:5) a kind of bagpipe with two shrill reeds. The modern dulcimer is a triangular instrument strung with about 60 brass wires, and played upon with little sticks or metallic rods. It more resembles the ancient psaltery than the dulcimer of kjv@Daniel:3:5)
ED.)

MUSTARD - M>@ - is mentioned in kjv@Matthew:13:31 kjv@Matthew:17:20; kjv@Mark:4:31; kjv@Luke:13:19 kjv@Luke:17:6) It is generally agreed that the mustard tree of Scripture is the black mustard (Sinapis nigru). The objection commonly made against any sinapis being the plant of the parable is that the reed grew into "a tree," in which the fowls of the air are said to come and lodge. As to this objection, it is urged with great truth that the expression is figurative and Oriental, and that in a proverbial simile no literal accuracy is to be expected. It is an error, for which the language of Scripture is not accountable, to assert that the passage implies that birds "built their nests" in the tree: the Greek word has no such meaning; the word merely means "to settle or rest upon" anything for a longer or shorter time; nor is there any occasion to suppose that the expression "fowls of the air" denotes any other than the smaller insessorial kinds
linnets, finches, etc. Hiller’s explanation is probably the correct one,
that the birds came and settled on the mustard-plant for the sake of the seed, of which they are very fond. Dr. Thomson also says he has seen the wild mustard on the rich plain of Akkar as tall as the horse and the rider. If, then, the wild plant on the rich plain of Akkar grows as high as a man on horseback, it might attain to the same or a greater height when in a cultivated garden. The expression "which is indeed-the least of all seeds" is in all probability hyperbolical, to denote a very small seed indeed, as there are many seeds which are smaller than mustard. The Lord in his popular teaching," says Trench ("Notes on Parables", 108), "adhered to the popular language;" and the mustard-seed was used proverbially to denote anything very minute; or may mean that it was the smallest of all garden seeds, which it is in truth.

easton:

Mushi @ receding, the second of the two sons of Merari kjv@Exodus:6:19; kjv@Numbers:3:20). His sons were called Mushites kjv@Numbers:3:33 kjv@Numbers:26:58).

Music @ Jubal was the inventor of musical instruments kjv@Genesis:4:21). The Hebrews were much given to the cultivation of music. Their whole history and literature afford abundant evidence of this. After the Deluge, the first mention of music is in the account of Laban's interview with Jacob kjv@Genesis:31:27). After their triumphal passage of the Red Sea, Moses and the children of Israel sang their song of deliverance Exodus:15). But the period of Samuel, David, and Solomon was the golden age of Hebrew music, as it was of Hebrew poetry. Music was now for the first time systematically cultivated. It was an essential part of training in the schools of the prophets ( kjv@1Samuel:10:5 kjv@1Samuel:19:19-24; kjv@2Kings:3:15; kjv@1Chronicles:25:6). There now arose also a class of professional singers ( kjv@2Samuel:19:35; kjv@Ecclesiastes:2:8). The temple, however, was the great school of music. In the conducting of its services large bands of trained singers and players on instruments were constantly employed ( kjv@2Samuel:6:5; kjv@1Chronicles:15; 16; 23;5; 25:1-6). In private life also music seems to have held an important place among the Hebrews kjv@Ecclesiastes:2:8; kjv@Amos:6:4-6; kjv@Isaiah:5:11-12 kjv@Isaiah:24:8-9; kjv@Psalms:137; Jeremiah:48:33; kjv@Luke:15:25).

Music, Instrumental @ Among instruments of music used by the Hebrews a principal place is given to stringed instruments. These were,

(1.) The kinnor, the "harp."

(2.) The nebel, "a skin bottle," rendered "psaltery."

(3.) The sabbeka, or "sackbut," a lute or lyre.

(4.) The gittith, occurring in the title of kjv@Psalms:8; 8; 84.

(5.) Minnim kjv@Psalms:150:4), rendered "stringed instruments;" in kjv@Psalms:45:8, in the form minni, probably the apocopated (i.e., shortened) plural, rendered, Authorized Version, "whereby," and in the Revised Version "stringed instruments."

(6.) Machalath, in the titles of Psalms:53 and 88; supposed to be a kind of lute or guitar. Of wind instruments mention is made of,

(1.) The 'ugab kjv@Genesis:4:21; kjv@Job:21:12 kjv@Job:30:31), probably the so-called Pan's pipes or syrinx.

(2.) The qeren or "horn" kjv@Joshua:6:5; kjv@1Chronicles:25:5).

(3.) The shophar, rendered "trumpet" kjv@Joshua:6:4-6, 8). The word means "bright," and may have been so called from the clear, shrill sound it emitted. It was often used kjv@Exodus:19:13; kjv@Numbers:10:10; kjv@Judges:7:16-18; kjv@1Samuel:13:3).

(4.) The hatsotserah, or straight trumpet kjv@Psalms:98:6; kjv@Numbers:10:1-10). This name is supposed by some to be an onomatopoetic word, intended to imitate the pulse-like sound of the trumpet, like the Latin taratantara. Some have identified it with the modern trombone.

(5.) The halil, i.e, "bored through," a flute or pipe ( kjv@1Samuel:10:5; kjvKings:1:40; kjv@Isaiah:5:12; kjv@Jeremiah:48:36) which is still used in Palestine.

(6.) The sumponyah, rendered "dulcimer" kjv@Daniel:3:5), probably a sort of bagpipe.

(7.) The maskrokith'a kjv@Daniel:3:5), rendered "flute," but its precise nature is unknown. Of instruments of percussion mention is made of,

(1.) The toph, an instrument of the drum kind, rendered "timbrel" kjv@Exodus:15:20; kjv@Job:21:12; kjv@Psalms:68:25); also "tabret" kjv@Genesis:31:27; kjv@Isaiah:24:8; kjv@1Samuel:10:5).

(2.) The paamon, the "bells" on the robe of the high priest kjv@Exodus:28:33 kjv@Exodus:39:25).

(3.) The tseltselim, "cymbals" ( kjv@2Samuel:6:5; kjv@Psalms:150:5), which are struck together and produce a loud, clanging sound. Metsilloth, "bells" on horses and camels for ornament, and metsiltayim, "cymbals" ( kjv@1Chronicles:13:8; kjv@Ezra:3:10, etc.). These words are all derived from the same root, tsalal, meaning "to tinkle."

(4.) The menaan'im, used only in kjv@2Samuel:6:5, rendered "cornets" (R.V., "castanets"); in the Vulgate, "sistra," an instrument of agitation.

(5.) The shalishim, mentioned only in kjv@1Samuel:18:6, rendered "instruments of music" (marg. of R.V., "triangles or three-stringed instruments"). The words in kjv@Ecclesiastes:2:8, "musical instruments, and that of all sorts," Authorized Version, are in the Revised Version "concubines very many."

Musician, Chief @ (Heb. menatstseah), the precentor of the Levitical choir or orchestra in the temple, mentioned in the titles of fifty-five psalms, and in kjv@Habakkuk:3:19, Revised Version. The first who held this office was Jeduthun ( kjv@1Chronicles:16:41), and the office appears to have been hereditary. Heman and Asaph were his two colleagues ( kjv@2Chronicals:35:15).

Mustard @ a plant of the genus sinapis, a pod-bearing, shrub-like plant, growing wild, and also cultivated in gardens. The little round seeds were an emblem of any small insignificant object. It is not mentioned in the Old Testament; and in each of the three instances of its occurrence in the New Testament kjv@Matthew:13:31-32; kjv@Mark:4:31-32; kjv@Luke:13:18-19) it is spoken of only with reference to the smallness of its seed. The common mustard of Palestine is the Sinapis nigra. This garden herb sometimes grows to a considerable height, so as to be spoken of as "a tree" as compared with garden herbs.

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torrey:

Music @ Early invention of kjv@Genesis:4:21
Divided into
Vocal kjv@2Samuel:19:35 kjv@Acts:16:25
Instrumental kjv@Daniel:6:18
Designed to promote joy kjv@Ecclesiastes:2:8 kjv@Ecclesiastes:2:10
Vanity of all unsanctified kjv@Ecclesiastes:2:8 kjv@Ecclesiastes:2:11
Considered efficacious in mental disorders kjv@1Samuel:16:14-17 kjv@1Samuel:16:23
Effects produced on the prophets of old by kjv@1Samuel:10:5 kjv@1Samuel:10:6 kjv@2Kings:3:15
Instruments of
Cymbals kjv@1Chronicles:16:5 kjv@Psalms:150:5
Cornet kjv@Psalms:98:6 kjv@Hosea:5:8
Dulcimer kjv@Daniel:3:5
Flute kjv@Daniel:3:5
Harp kjv@Psalms:137:2 kjv@Ezekiel:26:13
Organ kjv@Genesis:4:21 kjv@Job:21:12 kjv@Psalms:150:4
Pipe kjv@1Kings:1:40 kjv@Isaiah:5:12 kjv@Jeremiah:48:36
Psaltery kjv@Psalms:33:2 kjv@Psalms:71:22
Sackbut kjv@Daniel:3:5
Tabret kjv@1Samuel:10:5 kjv@Isaiah:24:8
Timbrel kjv@Exodus:15:20 kjv@Psalms:68:25
Trumpet kjv@2Kings:11:14 kjv@2Chronicles:29:27
Viol kjv@Isaiah:14:11 kjv@Amos:5:23
Made of fir wood kjv@2Samuel:6:5
Made of almug wood kjv@1Kings:10:12
Made of brass kjv@1Corinthians:13:1
Made of silver kjv@Numbers:10:2
Made of horns of animals kjv@Joshua:6:8
Many, with strings kjv@Psalms:33:2 kjv@Psalms:150:4
Early invention of kjv@Genesis:4:21
Invented by David kjv@1Chronicles:23:5 kjv@2Chronicles:7:6
The Jews celebrated for inventing kjv@Amos:6:5
Often expensively ornamented kjv@Ezekiel:28:13
Great diversity of kjv@Ecclesiastes:2:8
Appointed to be used in the temple kjv@1Chronicles:16:4-6 kjv@1Chronicles:23:5 kjv@1Chronicles:23:6 kjv@1Chronicles:25:1 kjv@2Chronicles:29:25
Custom of sending away friends with kjv@Genesis:31:27
The Jews used
In sacred processions kjv@2Samuel:6:4 kjv@2Samuel:6:5 kjv@2Samuel:6:15 kjv@1Chronicles:13:6-8 kjv@1Chronicles:15:27 kjv@1Chronicles:15:28
At laying foundation of temple kjv@Ezra:3:9 kjv@Ezra:3:10
At consecration of temple kjv@2Chronicles:5:11-13
At coronation of kings kjv@2Chronicles:23:11 kjv@2Chronicles:23:13
At dedication of city walls kjv@Nehemiah:12:27 kjv@Nehemiah:12:28
To celebrate victories kjv@Exodus:15:20 kjv@1Samuel:18:6 kjv@1Samuel:18:7
In religious feasts kjv@2Chronicles:30:21
In private entertainments kjv@Isaiah:5:12 kjv@Amos:6:5
In dances kjv@Matthew:11:17 kjv@Luke:15:25
In funeral ceremonies kjv@Matthew:9:23
In commemorating great men kjv@2Chronicles:35:25
Used in idol worship kjv@Daniel:3:5
The movements of armies regulated by kjv@Joshua:6:8 kjv@1Corinthians:14:8
Generally put aside in times of affliction kjv@Psalms:137:2-4 kjv@Daniel:6:18
Illustrative
Of joy and gladness kjv@Zephaniah:3:17 kjv@Ephesians:5:19
Of heavenly felicity kjv@Revelation:5:8 kjv@Revelation:5:9
(Ceasing of,) of calamities kjv@Isaiah:24:8 kjv@Isaiah:24:9 kjv@Revelation:18:22

tcr.1:

naves:

MUSHI @
- Of the sons of Merari kjv@Exodus:6:19; kjv@1Chronicles:6:19 kjv@1Chronicles:6:47

MUSIC @
- Teachers of kjv@1Chronicles:15:22; kjv@1Chronicles:25:7-8; kjv@2Chronicles:23:13
- Physical effect of, on man kjv@1Samuel:6:15-16
- Discoursed during the offering of sacrifices kjv@2Chronicles:29:27-28
- Precentor kjv@Nehemiah:12:42
- Chief musician kjv@Nehemiah:12:42; kjv@Habbakkuk:3:19
- Chambers for musicians in the temple, in Ezekiel's vision kjv@Ezekiel:40:44
- In heaven kjv@Revelation:5:8-9; kjv@Revelation:14:2-3; kjv@Revelation:15:2-3

- INSTRUMENTS OF .Invented by Jubal kjv@Genesis:4:21 .Invented by David kjv@1Chronicles:23:5; kjv@2Chronicles:7:6; kjv@2Chronicles:29:26; kjv@Amos:6:5 .Made by Solomon kjv@1Kings:10:12; kjv@2Chronicles:9:11; kjv@Ecclesiastes:2:8 .Made by Tyrians kjv@Ezekiel:28:13 .CORNET kjv@Daniel:3:5-7 kjv@Daniel:3:10 .
See TRUMPET .CYMBAL .
See CYMBAL .DULCIMER, a double pipe kjv@Daniel:3:5 kjv@Daniel:3:10, 15 .FLUTE kjv@Daniel:3:5-7 kjv@Daniel:3:10 kjv@Daniel:3:15 .GITTITH, a stringed instrument kjv@Psalms:8; 81; 84 .HARP .
See HARP .ORGAN, probably composed of pipes furnishing a number of notes kjv@Genesis:4:21; kjv@Job:21:12; kjv@Job:30:31; kjv@Psalms:150:4 .PIPE .
See PIPE .PSALTERY .
See PSALTERY .SACKBUT, a harp kjv@Daniel:3:5-7 kjv@Daniel:3:10 kjv@Daniel:3:15 .TABRET .
See TIMBREL .TIMBREL, a tambourine .
See TIMBREL .TRUMPET .
See TRUMPET .VIOL, a lyre kjv@Isaiah:5:12; kjv@Isaiah:14:11; kjv@Amos:5:23; kjv@Amos:6:5

- SYMBOLS USED IN

- ALAMOTH .(Literally virgins) .A musical term which appears in kjv@1Chronicles:15:20 .And in the title of kjv@Psalms:46:1 .(It seems to indicate the rendering of the song by female voices, possibly soprano)

- AL

- TASCHITH .It appears in the titles of kjv@Psalms:57:1; kjv@Psalms:58:1; kjv@Psalms:59:1; kjv@Psalms:75:1 .(it seems to have been used to indicate the kind of ode, or the kind of melody in which the ode should be sung.)

- MAKALATH, MASCHIL, LEANNOTH .These terms are found in the titles of kjv@Psalms:53:1; kjv@Psalms:88:1 .(Authorities grope in darkness as to their signification. They may indicate the instruments to be played, or the melody to be sung)

- NEGINAH and NEGINOTH .Appear in the titles of kjv@Psalms:4:1; kjv@Psalms:54:1; kjv@Psalms:55:1; kjv@Psalms:61:1; kjv@Psalms:67:1; kjv@Habbakkuk:3:19 .(Its use seems to have been to indicate that the song should be accompanied by stringed instruments.)

- NEHILOTH .Appears in the title of kjv@Psalms:5:1 .(It seems to indicate, according to Gesenius, that when this Psalm was sung it was to be accompanied by wind instruments.)

- SELAH .(This term appears frequently in the Psalms. Its use is not known. Possibly it signified a pause in the vocal music while an instrumental interlude or finale was rendered.)

- UNCLASSIFIED SCRIPTURES RELATING TO kjv@Exodus:15:1 kjv@Exodus:15:Genesis:31:27; 20, 21; kjv@Genesis:21:17-20; kjv@Judges:5:1-3; kjv@Judges:11:34; kjv@1Samuel:18:6-7; kjv@2Samuel:19:35; kjv@1Kings:1:40; kjv@1Kings:15:16-22-24 kjv@1Kings:15:1Chronicles:6:31-32; 27, 28; kjv@1Chronicles:16:4-39 kjv@1Chronicles:16:1Chronicles:22:3-5 kjv@Chronicles:22:6 kjv@Chronicles:22:41 kjv@Chronicles:22:42; kjv@1Chronicles:25:1 kjv@1Chronicles:25:5, 6, 27, 30; 7, 8; kjv@2Chronicles:5:12-13; kjv@2Chronicles:20:19-21 kjv@2Chronicles:20:22 kjv@2Chronicles:20:28; kjv@2Chronicles:23:13 kjv@2Chronicles:23:18 kjv@2Chronicles:29:25-28; kjv@2Chronicles:31:2; kjv@2Chronicles:35:15 kjv@2Chronicles:35:25 kjv@Ezra:2:64; kjv@Ezra:3:10-11; kjv@Nehemiah:12:24 kjv@Nehemiah:12:27-31 kjv@Job:21:12; kjv@Job:30:31; kjv@Psalms:33:1-4; kjv@Psalms:68:4 kjv@Psalms:68:25, 26, 32-35; kjv@Psalms:81:1-3; kjv@Psalms:87:7; kjv@Psalms:92:1-3; kjv@Psalms:95:1-2; kjv@Psalms:98:1-8; kjv@Psalms:104:33; kjv@Psalms:135:1 kjv@Psalms:135:Psalms:105:2; 2, 3; kjv@Psalms:137:1-6; kjv@Psalms:144:9; kjv@Psalms:149:1-3 kjv@Psalms:149:6 kjv@Psalms:150:1-6; kjv@Proverbs:25:20; kjv@Ecclesiastes:2:8; kjv@Isaiah:5:12; kjv@Isaiah:14:11; kjv@Isaiah:16:10; kjv@Isaiah:23:16; kjv@Isaiah:24:8-9; kjv@Isaiah:30:29 kjv@Isaiah:30:32 kjv@Jeremiah:31:4; kjv@Ezekiel:26:13; kjv@Daniel:3:4 kjv@Daniel:3:Daniel:33:32; 6, 7; kjv@Amos:6:5; kjv@Amos:8:10; kjv@Matthew:9:23; kjv@Matthew:11:17; kjv@Mark:14:26; kjv@1Corinthians:14:15; kjv@Ephesians:5:19; kjv@Colossians:3:16; kjv@Hebrews:2:12; kjv@Revelation:14:2-3; kjv@Revelation:18:22
-
See PRAISE
-
See PSALMS

MUSTARD @
- General scriptures concerning kjv@Matthew:13:31-32

MUSTER @
- Of troops kjv@1Samuel:14:17; kjv@2Samuel:20:4; kjv@1Kings:20:26; kjv@2Kings:25:19; kjv@Isaiah:13:4
-
See ARMIES

filter-bible-link.pl:

hitchcock:

kjv@STRING:Didymus <HITCHCOCK>@ a twin; double - HITCHCOCK-D

kjv@STRING:Mushi <HITCHCOCK>@ he that touches, that withdraws or takes away - HITCHCOCK-M

kjv@STRING:Nicodemus <HITCHCOCK>@ victory of the people - HITCHCOCK-N

kjv@STRING:Nicolas <HITCHCOCK>@ same as Nicodemus - HITCHCOCK-N

kjv@STRING:Onesimus <HITCHCOCK>@ profitable; useful - HITCHCOCK-O

kjv@STRING:Trophimus <HITCHCOCK>@ well educated; well brought up - HITCHCOCK-T

tcr:

strongs:

H1265 <STRHEB>@ בּרושׁ berôsh ber-osh' Of uncertain derivation; a cypress tree (perhaps); hence a lance or a musical instrument (as made of that wood): - fir (tree).

H1761 <STRHEB>@ דּחוה dachăvâh dakh-av-aw' (Chaldee); from the equivalent of H1760; probably a musical instrument (as being struck): - instrument of music.

H1900 <STRHEB>@ הגוּת hâgûth haw-gooth' From H1897; musing: - meditation.

H1901 <STRHEB>@ הגיג hâgîyg haw-gheeg' From an unused root akin to H1897; properly a {murmur} that {is} complaint: - {meditation} musing.

H1902 <STRHEB>@ הגּיון higgâyôn hig-gaw-yone' Intensive from H1897; a murmuring {sound} that {is} a musical notation (probably similar to the moder affettuoso to indicate solemnity of movement); by implication a machination: - {device} {Higgaion} {meditation} solemn sound.

H2158 <STRHEB>@ זמרה זמר זמיר zâmîyr zâmir zemirâh {zaw-meer'} {zaw-meer'} zem-ee-raw' (Feminine): from H2167; a song to be accompanied with instrumental music: - psalm ({-ist}) {singing} song.

H2167 <STRHEB>@ זמר zâmar zaw-mar' A primitive root (perhaps identical with H2168 through the idea of striking with the fingers); properly to touch the strings or parts of a musical {instrument} that {is} play upon it; to make {music} accompanied by the voice; hence to celebrate in song and music: - give {praise} sing forth {praises} psalms.

H2170 <STRHEB>@ זמר zemâr zem-awr' (Chaldee); from a root corresponding to H2167; instrumental music: - musick.

H2171 <STRHEB>@ זמּר zammâr zam-mawr' (Chaldee); from the same as H2170; an instrumental musician: - singer.

H2172 <STRHEB>@ זמרה zimrâh zim-raw' From H2167; a musical piece or song to be accompanied by an instrument: - {melody} psalm.

H2174 <STRHEB>@ זמרי zimrîy zim-ree' From H2167; musical; {Zimri} the name of five {Israelites} and of an Arabian tribe: - Zimri.

H2175 <STRHEB>@ זמרן zimrân zim-rawn' From H2167; musical; {Zimran} a son of Abraham by Keturah: - Zimran.

H2176 <STRHEB>@ זמרת zimrâth zim-rawth' From H2167; instrumental music; by implication praise: - song.

H4135 <STRHEB>@ מוּל mûl mool A primitive root; to cut {short} that {is} curtail (specifically the {prepuce} that {is} to circumcise); by implication to blunt; figuratively to destroy: - circumcise ({-ing} {selves}) cut down (in {pieces}) {destroy} X must needs.

H4187 <STRHEB>@ משּׁי מוּשׁי mûshîy mûshshîy {moo-shee'} mush-shee' From H4184; sensitive; {Mushi} a Levite: - Mushi.

H4188 <STRHEB>@ מוּשׁי mûshîy moo-shee' Patronymic from H4187; a Mushite (collectively) or descendant of Mushi: - Mushites.

H4191 <STRHEB>@ מוּת mûth mooth A primitive root; to die (literally or figuratively); causatively to kill: - X at {all} X {crying} (be) dead ({body} {man} {one}) (put {to} worthy of) {death} destroy ({-er}) (cause {to} be like {to} must) {die} {kill} necro {[-mancer]} X must {needs} {slay} X {surely} X very {suddenly} X in [no] wise.

H4210 <STRHEB>@ מזמור mizmôr miz-more' From H2167; properly instrumental music; by implication a poem set to notes: - psalm.

H4482 <STRHEB>@ מן mên mane From an unused rot meaning to apportion; a part; hence a musical chord (as parted into strings): - in [the same] (Psa. H68 : {H23}) stringed instrument (Psa. H150 : {H4}) whereby (Psa. H45 : H8 [defective plural]).

H4485 <STRHEB>@ מנגּינה mangîynâh man-ghee-naw' From H5059; a satire: - music.

H4953 <STRHEB>@ משׁרוקי mashrôqîy mash-ro-kee' (Chaldee); from a root corresponding to H8319; a (musical) pipe (from its whistling sound): - flute.

H5058 <STRHEB>@ נגינת נגינה negîynâh negîynath {neg-ee-naw'} neg-ee-nath' From H5059; properly instrumental music; by implication a stringed instrument; by extension a poem set to music; specifically an epigram: - stringed {instrument} {musick} Neginoth {[plural]} song.

H5059 <STRHEB>@ נגן nâgan naw-gan' A primitive root; prop to {thrum} that {is} beat a tune with the fingers; especially to play on a stringed instrument; hence (generally) to make music: - player on {instruments} sing to the stringed {instruments} {melody} {ministrel} play (-er. -ing).

H5329 <STRHEB>@ נצח nâtsach naw-tsakh' A primitive root; properly to glitter from {afar} that {is} to be eminent (as a {superintendent} especially of the Temple services and its music); also (as denominative from {H5331}) to be permanent: - {excel} chief musician ({singer}) oversee ({-r}) set forward.

H5542 <STRHEB>@ סלה selâh seh'-law From H5541; suspension (of {music}) that {is} pause: - Selah.

H5737 <STRHEB>@ עדר ‛âdar aw-dar' A primitive root; to {arrange} as a {battle} a vineyard (to hoe); hence to {muster} and so to miss (or find wanting): - {dig} {fail} keep ({rank}) lack.

H5739 <STRHEB>@ עדר ‛êder ay'-der From H5737; an {arrangement} that {is} muster (of animals): - {drove} {flock} herd.

H5748 <STRHEB>@ עגּב עוּגב ‛ûgâb ‛ûggâb {oo-gawb'} oog-gawb' From H5689 in the original sense of breathing; a reed instrument of music: - organ.

H516 <STRHEB>@ אל תּשׁחת 'al tashchêth al tash-kayth' From H408 and H7843; Thou must not destroy; probably the opening words of a popular song: - Al-taschith.

H6071 <STRHEB>@ עסיס ‛âsîys aw-sees' From H6072; must or fresh grape juice (as just trodden out): - {juice} new (sweet) wine.

H6099 <STRHEB>@ עצם עצוּם ‛âtsûm ‛âtsûm {aw-tsoom'} aw-tsoom' Passive participle of H6105; powerful (specifically a paw); by implication numerous: - + {feeble} {great} {mighty} {must} strong.

H6485 <STRHEB>@ פּקד pâqad paw-kad' A primitive root; to visit (with friendly or hostile intent); by analogy to {oversee} muster6 {charge} care {for} miss6 {deposit} etc.: - {appoint} X at {all} {avenge} {bestow} (appoint to have {the} give a) {charge} {commit} {count} deliver to {keep} be {empty} {enjoin} go {see} {hurt} do {judgment} {lack} lay up {look} make X by any {means} {miss} {number} {officer} (make) overseer have (the) {oversight} {punish} {reckon} (call to) remember ({-brance}) set ({over}) {sum} X {surely} {visit} want.

H6633 <STRHEB>@ צבא tsâbâ' tsaw-baw' A primitive root; to mass (an army or servants): - {assemble} {fight} {perform} {muster} wait {upon} war.

H6957 <STRHEB>@ קו קו qav qâv {kav} kawv From H6960 (compare H6961); a cord (as {connecting}) especially for measuring; figuratively a rule; also a {rim} a musical string or accord: - line. Compare H6978.

H6969 <STRHEB>@ קוּן qûn koon A primitive root; to strike a musical {note} that {is} chant or wail (at a funeral): - {lament} mourning woman.

H7070 <STRHEB>@ קנה qâneh kaw-neh' From H7069; a reed (as erect); by resemblance a rod (especially for {measuring}) shaft6 {tube} {stem} the radius (of the {arm}) beam (of a steelyard): - {balance} {bone} {branch} {calamus} {cane} {reed} X {spearman} stalk.

H7705 <STRHEB>@ שׁדּה shiddâh shid-dah' From H7703; a wife (as mistress of the house): - X all {sorts} musical instrument.

H7742 <STRHEB>@ שׂוּח ώûach soo'-akh A primitive root; to muse pensively: - meditate.

H7827 <STRHEB>@ שׁחלת shechêleth shekh-ay'-leth Apparently from the same as H7826 through some obscure {idea} perhaps that of peeling off by concussion of sound; a scale or {shell} that {is} the aromatic mussel: - onycha.

H7876 <STRHEB>@ שׁיה shâyâh shaw-yaw' A primitive root; to keep in memory: - be unmindful. [Render A Rock bore {thee} thou must recollect; and (yet) thou hast {forgotten} etc.]

H7878 <STRHEB>@ שׂיח ώîyach see'-akh A primitive root; to {ponder} that {is} (by implication) converse (with {oneself} and hence aloud) or (transitively) utter: - {commune} {complain} {declare} {meditate} {muse} {pray} {speak} talk (with).

H7892 <STRHEB>@ שׁירה שׁיר shîyr shîyrâh {sheer} shee-raw' The second form being feminine; from H7891; a song; abstractly singing: - musical ({-ick}) X sing ({-er} {-ing}) song.

H7991 <STRHEB>@ שׁלשׁ שׁלושׁ שׁלישׁo shâlîysh shâlôsh shâlôsh {shaw-leesh'} {shaw-loshe'} shaw-loshe' (The second form used in ; the third form used in ); from H7969; a {triple} that {is} (as a musical instrument) a triangle (or perhaps rather three stringed lute); also (as an indefinitely great quantity) a three fold measure (perhaps a treble ephah); also (as an officer) a general of the third rank ({upward} that {is} the highest): - {captain} instrument of {musick} (great) {lord} (great) {measure} {prince} three [from the margin].

H8173 <STRHEB>@ שׁעע shâ‛a‛ shaw-ah' A primitive root; (in a good acceptation) to look upon (with {complacency}) that {is} fondle6 please or amuse (self); (in a bad one) to look about (in {dismay}) that {is} stare. (cry out is by confusion with H7768.): - cry (out) [by confusion with {H7768]} {dandle} delight ({self}) {play} shut.

H8492 <STRHEB>@ תּירשׁ תּירושׁ tîyrôsh tîyrôsh {tee-roshe'} tee-roshe' From H3423 in the sense of expulsion; must or fresh grape juice (as just squeezed out); by implication (rarely) fermented wine: - ({new} sweet) wine.

H8504 <STRHEB>@ תּכלת tekêleth tek-ay'-leth Probably for H7827; the cerulean {mussel} that {is} the color (violet) obtained therefrom or stuff dyed therewith: - blue.

H8619 <STRHEB>@ תּקוע tâqôa‛ taw-ko'-ah From H8628 (in the muscal sense); a trumpet: - trumpet.

H930 <STRHEB>@ בּהמות behêmôth be-hay-mohth' In form a plural of {H929} but really a singular of Egyptian derivation: a water {ox} that {is} the hippopotamus or Nile horse: - Behemoth.

G1098 <STRGRK>@ γλεῦκος gleukos glyoo'-kos Akin to G1099; sweet wine that is (properly) must (fresh juice) but used of the more saccharine (and therefore highly inebriating) fermented wine: - new wine.

G1163 <STRGRK>@ δεῖ dei die deh-on' Third person singular active present of G1210; also δεόν deon which is neuter active participle of the same; both used impersonally; it is (was etc.) necessary (as binding): - behoved be meet must (needs) (be) need (-ful) ought should.

G1260 <STRGRK>@ διαλογίζομαι dialogizomai dee-al-og-id'-zom-ahee From G1223 and G3049; to reckon thoroughly that is (generally) to deliberate (by reflection or discussion): - cast in mind consider dispute muse reason think.

G1324 <STRGRK>@ Δίδυμος Didumos did'-oo-mos Prolonged from G1364; double that is twin; Didymus a Christian: - Didymus.

G2076 <STRGRK>@ ἐστί esti es-tee' Third person singular present indicative of G1510; he (she or it) is; also (with neuter plural) they are: - are be (-long) call X can [-not] come consisteth X dure for awhile + follow X have (that) is (to say) make meaneth X must needs + profit + remaineth + wrestle.

G2192 <STRGRK>@ ἔχω echō ekh'-o A primary verb (including an alternate form σχέω scheō skheh'-o used in certain tenses only); to hold (used in very various applications literally or figuratively direct or remote; such as possession ability6 contiguity relation or condition): - be (able X hold possessed with) accompany + begin to amend can (+ -not) X conceive count diseased do + eat + enjoy + fear following have hold keep + lack + go to law lie + must needs + of necessity + need next + recover + reign + rest return X sick take for + tremble + uncircumcised use.

G2399 <STRGRK>@ ἰδιώτης idiōtēs id-ee-o'-tace From G2398; a private person that is (by implication) an ignoramus (compare idiot): - ignorant rude unlearned.

G3451 <STRGRK>@ μουσικός mousikos moo-sik-os' From μουσς Mousa (a Muse); musical that is (as noun) a minstrel: - musician.

G3465 <STRGRK>@ Μυσία Musia moo-see'-ah Of uncertain origin; Mysia a region of Asia Minor: - Mysia.

G3466 <STRGRK>@ μυστήριον mustērion moos-tay'-ree-on From a derivative of μύω muō (to shut the mouth); a secret or mystery (through the idea of silence imposed by initiation into religious rites): - mystery.

G3530 <STRGRK>@ Νικόδημος Nikodēmos nik-od'-ay-mos From G3534 and G1218; victorious among his people; Nicodemus an Israelite: - Nicodemus.

G3682 <STRGRK>@ Ὀνήσιμος O̓nēsimos on-ay'-sim-os From G3685; profitable; Onesimus a Christian: - Onesimus.

G3784 <STRGRK>@ ὀφείλω ὀφειλέω opheilō opheileō of-i'-lo of-i-leh'-o Including its prolonged form (second form) used in certain tenses. Probably from the base of G3786 (through the idea of accruing); to owe (pecuniarily); figuratively to be under obligation (ought must6 should); morally to fail in duty: - behove be bound (be) debt (-or) (be) due (-ty) be guilty (indebted) (must) need (-s) ought owe should. See also G3785.

G3963 <STRGRK>@ Πάτμος Patmos pat'-mos Of uncertain derivation; Patmus an islet in the Mediterranean: - Patmos.

G318 <STRGRK>@ ἀναγκή anagkē an-ang-kay' From G303 and the base of G43; constraint (literally or figuratively); by implication distress: - distress must needs (of) necessity (-sary) neededth needful.

G4010 <STRGRK>@ Πέργαμος Pergamos per'-gam-os From G4444; fortified; Pergamus a place in Asia Minor: - Pergamos.

G4209 <STRGRK>@ πορφύρα porphura por-foo'-rah Of Latin origin; the purple mussel that is (by implication) the red blue color itself and finally a garment dyed with it: - purple.

G4544 <STRGRK>@ Σάμος Samos sam'-os Of uncertain affinity; Samus an island of the Mediterranean: - Samos.

G4615 <STRGRK>@ σίναπι sinapi sin'-ap-ee Perhaps from σίνομαι sinomai (to hurt that is sting); mustard (the plant): - mustard.

G4858 <STRGRK>@ συμφωνία sumphōnia soom-fo-nee'-ah From G4859; unison of sound (symphony) that is a concert of instruments (harmonious note): - music.

G5161 <STRGRK>@ Τρόφιμος Trophimos trof'-ee-mos From G5160; nutritive; Trophimus a Christian: - Trophimus.

G5353 <STRGRK>@ φθόγγος phthoggos fthong'-gos From G5350; utterance that is a musical note (vocal or instrumental): - sound.

G5511 <STRGRK>@ χλαμύς chlamus khlam-ooce' Of uncertain derivation; a military cloak: - robe.

G5534 <STRGRK>@ χρή chrē khray Third person singular of the same as G5530 or G5531 used impersonally; it needs (must or should) be: - ought.

G5567 <STRGRK>@ ψάλλω psallō psal'-lo Probably strengthened from ψάω psaō (to rub or touch the surface; compare G5597); to twitch or twang that is to play on a stringed instrument (celebrate the divine worship with music and accompanying odes): - make melody sing (psalms).

G5568 <STRGRK>@ ψαλμός psalmos psal-mos' From G5567; a set piece of music that is a sacred ode (accompanied with the voice harp or other instrument; a psalm); collectively the book of the Psalms: - psalm. Compare G5603.

G5600 <STRGRK>@ ὦ ō o Including the oblique forms as well as ἦς ēs ace; ἦ ē ay etc.; the subjunctive of G1510; (may might6 can could6 would must etc.; also with G1487 and its compounds as well as with other particles) be: - + appear are (may might should) be X have is + pass the flower of her age should stand were.

G825 <STRGRK>@ Ἀττάλεια Attaleia at-tal'-i-ah From Ἄτταλος Attalos (a king of Pergamus); Attaleia a place in Pamphylia: - Attalia.

G924 <STRGRK>@ Βαρτιμαῖος Bartimaios bar-tim-ah'-yos Of Chaldee origin [H1247] and [H2931]; son of Timaeus (or the unclean); Bartimaeus an Israelite: - Bartimus.

G992 <STRGRK>@ βλητέος blēteos blay-teh'-os From G906; fit to be cast (that is applied): - must be put.