rwp - song

rwp@Info_1Corinthians @ It is clear therefore that Paul wrote what we call I Corinthians in a disturbed state of mind. He had founded the church there, had spent two years there (Acts:18|), and took pardonable pride in his work there as a wise architect (1Corinthians:3:10|) for he had built the church on Christ as the foundation. He was anxious that his work should abide. It is plain that the disturbances in the church in Corinth were fomented from without by the Judaizers whom Paul had defeated at the Jerusalem Conference (Acts:15:1-35; strkjv@Galatians:2:1-10|). They were overwhelmed there, but renewed their attacks in Antioch (Galatians:2:11-21|). Henceforth throughout the second mission tour they are a disturbing element in Galatia, in Corinth, in Jerusalem. While Paul is winning the Gentiles in the Roman Empire to Christ, these Judaizers are trying to win Paul's converts to Judaism. Nowhere do we see the conflict at so white a heat as in Corinth. Paul finally will expose them with withering sarcasm (2Corinthians:10-13|) as Jesus did the Pharisees in strkjv@Matthew:23|...Paul sings the noblest song of...(chapter strkjv@1Corinthians:13|) and writes the classic discussion on the resurrection (chapter strkjv@1Corinthians:15|). If one knows clearly and fully the Corinthian Epistles and Paul's dealings with Corinth, he has an understanding of a large section of his life and ministry. No church caused him more anxiety than did Corinth (2Corinthians:11:28|).

rwp@Info_2Corinthians @ It is clear therefore that Paul wrote what we call I Corinthians in a disturbed state of mind. He had founded the church there, had spent two years there (Acts:18|), and took pardonable pride in his work there as a wise architect (1Corinthians:3:10|) for he had built the church on Christ as the foundation. He was anxious that his work should abide. It is plain that the disturbances in the church in Corinth were fomented from without by the Judaizers whom Paul had defeated at the Jerusalem Conference (Acts:15:1-35; strkjv@Galatians:2:1-10|). They were overwhelmed there, but renewed their attacks in Antioch (Galatians:2:11-21|). Henceforth throughout the second mission tour they are a disturbing element in Galatia, in Corinth, in Jerusalem. While Paul is winning the Gentiles in the Roman Empire to Christ, these Judaizers are trying to win Paul's converts to Judaism. Nowhere do we see the conflict at so white a heat as in Corinth. Paul finally will expose them with withering sarcasm (2Corinthians:10-13|) as Jesus did the Pharisees in strkjv@Matthew:23|...Paul sings the noblest song of...(chapter strkjv@1Corinthians:13|) and writes the classic discussion on the resurrection (chapter strkjv@1Corinthians:15|). If one knows clearly and fully the Corinthian Epistles and Paul's dealings with Corinth, he has an understanding of a large section of his life and ministry. No church caused him more anxiety than did Corinth (2Corinthians:11:28|).

rwp@Acts:1:14 @{With one accord} (\homothumadon\). Old adverb in \-don\ from adjective \homothumos\ and that from \homos\, same, and \thumos\, mind or spirit, with the same mind or spirit. Common in ancient Greek and papyri. In the N.T. eleven times in Acts and nowhere else save strkjv@Romans:15:6|. See strkjv@Matthew:18:19|. {Continued} (\san proskarterountes\). Periphrastic imperfect active of \proskartere\, old verb from \pros\ (perfective use) and \kartere\ from \karteros\, strong, steadfast, like the English "carry on." Already in strkjv@Mark:3:9| which see and several times in Acts and Paul's Epistles. They "stuck to" the praying (\ti proseuchi\, note article) for the promise of the Father till the answer came. {With the women} (\sun gunaixin\). Associative instrumental case plural of \gun\ after \sun\. As one would expect when praying was the chief work on hand. More women certainly included than in strkjv@Luke:8:2; strkjv@Mark:15:40f.; strkjv@Matthew:27:55f.; strkjv@Luke:23:49; strkjv@Mark:15:47; strkjv@Matthew:27:61; strkjv@Luke:23:55f.; strkjv@Mark:16:1; strkjv@Matthew:28:1; strkjv@Luke:24:1f.; strkjv@John:20:1, 11-18; strkjv@Matthew:28:9f|. There were probably other women also whose testimony was no longer scouted as it had been at first. Codex Bezae adds here "and children." {And Mary the mother of Jesus} (\kai Mariam ti mtri tou Isou\)...of death with the song in...{With his brethren} (\sun tois adelphois autou\). With his brothers, it should be translated. They had once disbelieved in him (John:7:5|). Jesus had appeared to James (1Corinthians:15:7|) and now it is a happy family of believers including the mother and brothers (half-brothers, literally) of Jesus. They continue in prayer for the power from on high.

rwp@Colossians:3:16 @{The word of Christ} (\ho logos tou Christou\). This precise phrase only here, though "the word of the Lord" in strkjv@1Thessalonians:1:8; strkjv@4:15; strkjv@2Thessalonians:3:1|. Elsewhere "the word of God." Paul is exalting Christ in this Epistle. \Christou\ can be either the subjective genitive (the word delivered by Christ) or the objective genitive (the word about Christ). See strkjv@1John:2:14|. {Dwell} (\enoikeit\). Present active imperative of \enoike\, to make one's home, to be at home. {In you} (\en humin\). Not "among you." {Richly} (\plousis\). Old adverb from \plousios\ (rich). See strkjv@1Timothy:6:17|. The following words explain \plousis\. {In all wisdom} (\en pasi sophii\). It is not clear whether this phrase goes with \plousis\ (richly) or with the participles following (\didaskontes kai nouthetountes\, see strkjv@1:28|). Either punctuation makes good sense. The older Greek MSS. had no punctuation. There is an anacoluthon here. The participles may be used as imperatives as in strkjv@Romans:12:11f.,16|. {With psalms} (\psalmois\, the Psalms in the Old Testament originally with musical accompaniment), {hymns} (\humnois\, praises to God composed by the Christians like strkjv@1Timothy:3:16|), {spiritual songs} (\idais pneumatikais\, general description of all whether with or without instrumental accompaniment). The same song can have all three words applied to it. {Singing with grace} (\en chariti idontes\). In God's grace (2Corinthians:1:12|). The phrase can be taken with the preceding words. The verb \id\ is an old one (Ephesians:5:19|) for lyrical emotion in a devout soul. {In your hearts} (\en tais kardiais humn\). Without this there is no real worship "to God" (\ti thei\). How can a Jew or Unitarian in the choir lead in the worship of Christ as Saviour? Whether with instrument or with voice or with both it is all for naught if the adoration is not in the heart.

rwp@Galatians:4:27 @{Which is our mother} (\htis estin mtr hmn\). The mother of us Christians, apply the allegory of Hagar and Sarah to us. The Jerusalem above is the picture of the Kingdom of God. Paul illustrates the allegory by quoting strkjv@Isaiah:54:1|, a song of triumph looking for deliverance from a foreign yoke. {Rejoice} (\euphranthti\). First aorist passive imperative of \euphrain\. {Break forth} (\rxon\). First aorist active imperative of \rgnumi\, to rend, to burst asunder. Supply \euphrosunn\ (joy) as in strkjv@Isaiah:49:13|. {The desolate} (\ts ermou\). The prophet refers to Sarah's prolonged barrenness and Paul uses this fact as a figure for the progress and glory of Christianity (the new Jerusalem of freedom) in contrast with the old Jerusalem of bondage (the current Judaism). His thought has moved rapidly, but he does not lose his line.

rwp@Luke:1:45 @{For} (\hoti\). It is not certain whether \hoti\ here is "that" or "because." It makes good sense either way. See also strkjv@7:16|. This is the first beatitude in the New Testament and it is similar to the last one in the Gospels spoken to Thomas to discourage his doubt (John:20:29|)...of the angel. This song of...(1:47-55|) and Zacharias (1:68-70|). All three spoke under the power of the Holy Spirit. These are the first New Testament hymns and they are very beautiful. Plummer notes four strophes in Mary's Magnificat (46-48|,49,50|,51-53|,54,55|). Every idea here occurs in the Old Testament, showing that Mary's mind was full of the spiritual message of God's word.

rwp@Luke:1:46 @{Doth magnify} (\megalunei\). Latin, _magnificat_...this is also the song of...

rwp@Luke:2:31 @{Of all the peoples} (\pantn tn lan\). Not merely Jews. Another illustration of the universality of Luke's Gospel seen already in strkjv@1:70|...second strophe of the song according...

rwp@Luke:19:38 @{The king cometh} (\ho erchomenos, ho basileus\). The Messianic hopes of the people were now all ablaze with expectation of immediate realization. A year ago in Galilee he had frustrated their plans for a revolutionary movement "to take him by force to make him king" (John:6:15|). The phrase "the coming king" like "the coming prophet" (John:6:14; strkjv@Deuteronomy:18:15|) expressed the hope of the long-looked-for Messiah. They are singing from the Hallel in their joy that Jesus at last is making public proclamation of his Messiahship. {Peace in heaven, and glory in the highest} (\en ourani eirn kai doxa en hupsistois\)...one strongly of the song of...(Luke:2:14|). strkjv@Mark:11:10; strkjv@Matthew:21:9| have "Hosannah in the highest."

rwp@Matthew:21:9 @{That went before him and that followed} (\hoi proagontes auton kai hoi akolouthountes\). Note the two groups with two articles and the present tense (linear action) and the imperfect \ekrazon\ "were crying" as they went. {Hosanna to the Son of David} (\Hosanna ti huii Daueid\). They were now proclaiming Jesus as the Messiah and he let them do it. "Hosanna" means "Save, we pray thee." They repeat words from the _Hallel_ (Psalms:148:1|)...and one recalls the song of...(Luke:2:14|). "Hosanna in the highest" (heaven) as well as here on earth.

rwp@Revelation:5:9 @{They sing} (\idousin\). Present active indicative of \id\. Old verb, to chant with lyrical emotion (Colossians:3:16|). {A new song} (\idn kainn\). Cognate accusative for \oide\ (\id\, song) is \oide\ from \eid\, that is \id\ (the verb used), old word already used (Colossians:3:16; strkjv@Ephesians:5:19|), called \kainn\ because a fresh song for new mercies (Isaiah:42:10; strkjv@Psalms:33:3; strkjv@40:3|, etc.), here in praise of redemption to Christ (14:3|) like the new name (2:17; strkjv@3:12|), the new Jerusalem (3:12; strkjv@21:2|), the new heaven and the new earth (21:1|), not the old song of creation (4:8,11|) to God. {For thou wast slain} (\hoti esphags\). Second aorist passive indicative of \sphaz\. \Agoraz\ used by Paul and Peter of our purchase from sin by Christ (1Corinthians:6:20; strkjv@7:23; strkjv@Galatians:3:13; strkjv@4:5; strkjv@2Peter:2:1|; cf. strkjv@1Peter:1:18f.|). {Unto God} (\ti thei\). Dative case of advantage as also in verse 10|. {With thy blood} (\en ti haimati sou\). Instrumental use of \en\ as in strkjv@1:5|. The blood of Christ as the price of our redemption runs all through the Apocalypse. This is the reason why Christ is worthy to "take the book and open its seals." That is, he is worthy to receive adoration and worship (4:11|) as the Father does. {Men of every} (\ek pass\). No \anthrpous\ (men) or \tinas\ (some) before \ek\ in the Greek. See a like ellipsis in strkjv@11:9| with a like grouping of words for all mankind, representatives of all races and nations (7:9; strkjv@13:7; strkjv@14:6|).

rwp@Revelation:5:11 @{And I saw} (\kai eidon\). A new feature introduced by the outer and vaster circle (\kukli\)...antiphonal singing, answering the song of...-four elders. Some MSS. read \hs\ (as if) before \phnn\ (voice). Ten thousand times ten thousand (\muriades muriadn kai chiliades chiliadn\). Literally, "myriads of myriads and thousands of thousands," a mild husteron-proteron. The regular order in I Enoch 40:I. See strkjv@Daniel:7:10| for \chiliai chiliades\ (thousand thousands) and \muriai muriades\ (countless myriads). They are all efforts to express the innumerable hosts of the angels.

rwp@Revelation:5:12 @{Worthy} (\axion\). Agreeing in gender (grammatical neuter) with \arnion\, but some MSS. have \axios\ (masculine, natural gender). Note change to third person \estin\ instead of second \ei\...The point of the song is...9,10|, but the language differs. Note the repeated article \to\ (the lamb the slain) referring to verses 6,9|. Note also the one article \tn\ before \dunamin\ for all the seven grounds of praise (\dunamin\, power, \plouton\, wealth, \sophian\, wisdom, \ischun\, strength, \timn\, honor, \doxan\, glory, \eulogian\, blessing), though \plouton\ is masculine, in contrast with separate article for each item (all three feminine) in strkjv@4:11|, here grouping them all together, "a heptad of praise" (Swete).

rwp@Revelation:5:14 @{Amen} (\Amn\)...doxology after the antiphonal songs.... {Fell down and worshipped} (\epesan kai prosekunsan\). In silent adoration that closes the whole service of praise to the One upon the throne and to the Lamb. As in strkjv@4:10|...the Christians sing a song to...(Phillipians:2:10f.|).

rwp@Revelation:12:10 @{A great voice saying} (\phnn megaln legousan\). Accusative after \kousa\ in this phrase as in strkjv@5:11; strkjv@10:4; strkjv@14:2; strkjv@18:4|, but the genitive \phns legouss\ in strkjv@11:12; strkjv@14:13|...whence this voice or song comes,...-four elders (Swete) or some other heavenly beings (11:15|) who can sympathize with human beings (19:10|), the martyrs in heaven (Charles). {Now is come} (\arti egeneto\). \Arti\ (John:13:33|) shows how recent the downfall of Satan here proleptically pictured as behind us in time (aorist tense \egeneto\). {The salvation} (\h stria\). Here "the victory" as in strkjv@7:10; strkjv@19:1|. {The power} (\h dunamis\). Gods power over the dragon (cf. strkjv@7:12; strkjv@11:17; strkjv@19:1|). {The kingdom} (\h basileia\). "The empire of God" as in strkjv@11:15|. {The authority of his Christ} (\h exousia tou Christou autou\). Which Christ received from the Father (Matthew:28:18; strkjv@John:17:2|). See strkjv@11:15| (Psalms:2:2|) for "his Anointed." {The accuser} (\ho katgr\). The regular form, \katgoros\, occurs in strkjv@John:8:10; strkjv@Acts:23:30,35; strkjv@25:16,18| and in many MSS. here in strkjv@Revelation:12:10|, but A reads \katgr\, which Westcott and Hort accept. It was once considered a Greek transliteration of a Hebrew word, but Deissmann (_Light_, etc., p. 93f.) quotes it from a vernacular magical papyrus of the fourth century A.D. with no sign of Jewish or Christian influence, just as \diakn\ appears as a vernacular form of \diakonos\. Only here is the word applied to Satan in the N.T. In late Judaism Satan is the accuser, and Michael the defender, of the faithful. {Of our brethren} (\tn adelphn hmn\). The saints still on earth battling with Satan and his devices. {Which accuseth them} (\ho katgorn autous\). Articular present active participle of \katgore\, old verb, to accuse, usually with the genitive of the person (John:5:45|), but here with the accusative. This is the devil's constant occupation (Job:1:6f.|). {Day and night} (\hmeras kai nuktos\). Genitive of time. "By day and by night."

rwp@Revelation:14:3 @{...it were a new song...} (\aidousin hs idn kainn\). See strkjv@5:9| for this phrase (cognate accusative) save that here \hs\ (as if)...added. There the new song was...(\enpion\) them and so apparently by the throng who were themselves redeemed by the Lamb. {...man could learn the song... save} (\oudeis edunato mathein tn idn ei m\). Imperfect (\edunato\) of \dunamai\ and second aorist (ingressive) active infinitive of \manthan\. In strkjv@5:9-12|...angels join in the song. In...15:3| it is the Song of Moses and the Lamb. {Even they that had been purchased out of the earth} (\hoi gorasmenoi apo ts gs\). Perfect passive articular participle of \agoraz\, purchased by the blood of the Lamb (5:9|), masculine plural in apposition with \chiliades\ (thousands) feminine plural (7:5,8; strkjv@14:1|). \Apo\ (from) here, though \ek\ (out of) in strkjv@5:9|. The 144,000 are not yet separated from the earth (John:17:15|). Whether the 144,000 here are identical with that number in strkjv@7:4-8| or not, they must embrace both men and women.

rwp@Revelation:15:3 @{The song of Moses} (\tn idn tou Muses\). strkjv@Exodus:14:31; strkjv@15:1-19|. A song of victory like that of Moses after crossing the Red Sea. {And the song of the Lamb} (\tn idn tou arniou\)...of Moses, though one song, not...(\megala\) from strkjv@Psalms:111:2|, "wonderful" (\thaumasta\) from strkjv@Psalms:139:14|, "O Lord God the Almighty" (\Kurie ho theos ho pantokratr\) from strkjv@Amos:4:13| (Revelation:4:8|), "righteous and true" (\dikaiai kai althinai\) from strkjv@Deuteronomy:32:4|, "Thou King of the ages" (\ho basileus tn ainn\) like strkjv@Jeremiah:10:10; strkjv@1Timothy:1:17|. Some MSS. have "the king of the saints" and some "the king of the nations," like strkjv@Jeremiah:10:7|...the new in the song to...

rwp@Revelation:15:4 @{Who shall not fear?} (\tis ou m phobthi;\). Rhetorical question with \ou m\ (double negative) and first aorist passive subjunctive of \phobeomai\ future passive in strkjv@Jeremiah:10:7|). {And glorify} (\kai doxasei\). Change here to the future indicative instead of the aorist subjunctive, as often. Cf. strkjv@Psalms:86:9|. {Thou only art holy} (\monos hosios\). Both predicate adjectives, "Thou art alone holy." God alone is perfectly holy (16:5|). {Shall come} (\hxousin\). Future active of \hk\. {And worship} (\kai proskunsousin\). Future active of \proskune\. Both from strkjv@Psalms:86:9|. {Have been made manifest} (\ephanerthsan\). Prophetic first aorist passive indicative of \phanero\. This martyr's song has the ring of great poetry.

rwp@Revelation:16:7 @{O Lord God, the Almighty} (\Kurie ho theos ho pantokratr\). Just as in strkjv@15:3| in the Song of Moses and of the Lamb, vocative with the article \ho\. "Judgments" (\kriseis\) here instead of "ways" (\hodoi\) there, and with the order of the adjectives reversed (\althinai kai dikaiai\, true and righteous).

rwp@Revelation:18:20 @{Rejoice over her} (\Euphrainou ep' auti\). Present middle imperative of \euphrain\, for which verb see strkjv@11:10|...picture to this. "The song of...(Charles) here seems to be voiced by John himself. {God hath judged your judgment} (\ekrinen ho theos to krima\). First aorist (prophetic) active of \krin\ and cognate accusative \krima\, here a case for trial (Exodus:18:22; strkjv@1Corinthians:6:7|), not a sentence as in strkjv@17:1|. God has approved the case of heaven.

rwp@Revelation:18:22 @{The voice} (\phn\). Cf. strkjv@Ezekiel:26:13|. Or "sound" as in strkjv@1Corinthians:14:8| with \salpigx\ (trumpet). For this song of judgment see strkjv@Jeremiah:25:10|. {Of harpers} (\kitharidn\). Old word (from \kithara\, harp, and \idos\, singer) as in strkjv@14:2|. {Of minstrels} (\mousikn\). Old word (from \mousa\, music), here only in N.T., one playing on musical instruments. {Of flute-players} (\aultn\). Old word (from \aule\, to play on a flute, strkjv@Matthew:11:17|, \aulos\, flute, strkjv@1Corinthians:14:7|), in N.T. only here and strkjv@Matthew:9:23|. {Of trumpeters} (\salpistn\). Late form for the earlier \salpigkts\ (from \salpiz\), here only in N.T. {Shall be heard no more at all} (\ou m akousthi\). First aorist passive subjunctive of \akou\ with the double negative as below, with \phn mulou\ (sound of the millstone), and as in verse 21| with \ou me heurethi\ and again with \ps technits\ (craftsman). This old word is from \techn\, art, as here in some MSS. ("of whatsoever craft," \pass techns\). \Technits\ occurs also in this sense in strkjv@Acts:19:24,38|; and in strkjv@Hebrews:11:10| of God as the Architect. There is power in this four-fold sonorous repetition of \ou m\ and the subjunctive with two more examples in verse 23|.

CONCORD song