NONE.filter - rwp trumpet:

rwp@1Corinthians:14:8 @{An uncertain voice} (\adlon phnn\). Old adjective (\a\ privative, \dlos\, manifest). In N.T. only here and strkjv@Luke:11:44|. Military trumpet (\salpigx\) is louder than pipe or harp. {Shall prepare himself} (\paraskeuasetai\). Direct middle future indicative of \paraskeuaz\, old verb, in N.T. only here, strkjv@2Corinthians:9:2ff.; strkjv@Acts:10:10|. From \para, skeu\ (preparation).

rwp@1Thessalonians:1:8 @{From you hath sounded forth} (\aph' humn exchtai\). Perfect passive indicative of \exche\, late compound verb (\ex, chos, ch, ch\, our echo) to sound out of a trumpet or of thunder, to reverberate like our echo. Nowhere else in the N.T. Songs:"from you" as a sounding board or radio transmitting station (to use a modern figure). It marks forcibly "both the clear and the persuasive nature of the \logos tou Kuriou\" (Ellicott). This phrase, the word of the Lord, may be subjective with the Lord as its author or objective with the Lord as the object. It is both. It is a graphic picture with a pardonable touch of hyperbole (Moffatt) for Thessalonica was a great commercial and political centre for disseminating the news of salvation (on the Egnation Way). {But in every place} (\all' en panti topi\). In contrast to Macedonia and Achaia. The sentence would naturally stop here, but Paul is dictating rapidly and earnestly and goes on. {Your faith to God-ward} (\h pistis humn h pros ton theon\). Literally, {the faith of you that toward the God}. The repeated article makes clear that their faith is now directed toward the true God and not toward the idols from which they had turned (verse 10|). {Is gone forth} (\exelluthen\). Second perfect active indicative of old verb \exerchomai\, to go out, state of completion like \exchtai\ above. {Songs:that we need not to speak anything} (\hste m chreian echein hms lalein ti\). \Hste\ with the infinitive for actual result as in verse 7|. No vital distinction between \lalein\ (originally to chatter as of birds) and \legein\, both being used in the _Koin_ for speaking and preaching (in the N.T.).

rwp@1Thessalonians:4:16 @{With a shout} (\en keleusmati\). Note this so-called instrumental use of \en\. Old word, here only in N.T., from \keleu\, to order, command (military command). Christ will come as Conqueror. {With the voice of the archangel} (\en phni archaggelou\). Further explanation of \keleusmati\ (command). The only archangel mentioned in N.T. is Michael in strkjv@Jude:1:9|. But note absence of article with both \phni\ and \archaggelou\. The reference may be thus indefinite. {With the trump of God} (\en salpiggi theou\). Trumpet. See same figure in strkjv@1Corinthians:15:52|. {The dead in Christ shall rise first} (\hoi nekroi en Christi anastsontai prton\). {First} here refers plainly to the fact that, so far from the dead in Christ having no share in the Parousia, they will rise before those still alive are changed.

rwp@Hebrews:12:19 @{Unto blackness} (\gnophi\). Dative case of \gnophos\ (late form for earlier \dnophos\ and kin to \nephos\, cloud), here only in N.T. Quoted here from strkjv@Exodus:10:22|. {Darkness} (\zophi\). Old word, in Homer for the gloom of the world below. In the Symmachus Version of strkjv@Exodus:10:22|, also in strkjv@Jude:1:6; strkjv@2Peter:2:4,15|. {Tempest} (\thuelli\). Old word from \thu\ (to boil, to rage), a hurricane, here only in N.T. From strkjv@Exodus:10:22|. {The sound of a trumpet} (\salpiggos chi\). From strkjv@Exodus:19:16|. \Echos\ is an old word (our \echo\) as in strkjv@Luke:21:25; strkjv@Acts:2:2|. {The voice of words} (\phni rmatn\). From strkjv@Exodus:19:19; strkjv@Deuteronomy:4:12|. {Which voice} (\hs\). Relative referring to \phn\ (voice) just before, genitive case with \akousantes\ (heard, aorist active participle). {Intreated} (\paritsanto\). First aorist middle (indirect) indicative of \paraiteomai\, old verb, to ask from alongside (Mark:15:6|), then to beg away from oneself, to depreciate as here, to decline (Acts:25:11|), to excuse (Luke:14:18|), to avoid (1Timothy:4:7|). {That no word should be spoken unto them} (\prostethnai autois logon\). First aorist passive infinitive of \prostithmi\, old word to add, here with accusative of general reference (\logon\), "that no word be added unto them." Some MSS. have here a redundant negative \m\ with the infinitive because of the negative idea in \paritsanto\ as in strkjv@Galatians:5:7|.

rwp@John:8:20 @{In the treasury} (\en ti gazophulakii\). See already strkjv@Mark:12:41; strkjv@Luke:21:1| for this word for the treasure-chambers of the temple. "It abutted on the Court of the Women, and against its walls were placed chests, trumpet-like in form, as receptacles for the offerings of the worshippers" (Bernard). The Persian word _gaza_ (treasure) occurs only once in the N.T. (Acts:8:27|) and the compound (\phulak\, guard) only here in John. Jesus hardly taught within a treasure-chamber. It probably means "at the treasury in the temple." This court was probably the most public part of the temple (Vincent). {And} (\kai\)="and yet" as in strkjv@1:10|, etc. {Because his hour was not yet come} (\hoti oup elluthei h hra autou\). {Reason} (\hoti\) given why no one seized (\epiasen\, cf. strkjv@7:30|) him. \Elluthei\ is past perfect active of \erchomai\, "had not yet come." This very use of \hra\ appears in strkjv@2:4| and the very clause in strkjv@7:30| which see.

rwp@Luke:4:19 @{The acceptable year of the Lord} (\eniauton Kuriou dekton\). He does not mean that his ministry is to be only one year in length as Clement of Alexandria and Origen argued. That is to turn figures into fact. The Messianic age has come, Jesus means to say. On the first day of the year of Jubilee the priests with sound of trumpet proclaimed the blessings of that year (Leviticus:25:8-17|). This great passage justly pictures Christ's conception of his mission and message.

rwp@Matthew:6:2 @{Sound not a trumpet} (\m salpisis\). Is this literal or metaphorical? No actual instance of such conduct has been found in the Jewish writings. McNeile suggests that it may refer to the blowing of trumpets in the streets on the occasion of public fasts. Vincent suggests the thirteen trumpet-shaped chests of the temple treasury to receive contributions (Luke:21:2|). But at Winona Lake one summer a missionary from India named Levering stated to me that he had seen Hindu priests do precisely this very thing to get a crowd to see their beneficences. Songs:it looks as if the rabbis could do it also. Certainly it was in keeping with their love of praise. And Jesus expressly says that "the hypocrites" (\hoi hupokritai\) do this very thing. This is an old word for actor, interpreter, one who personates another, from \hupokrinomai\ to answer in reply like the Attic \apokrinomai\. Then to pretend, to feign, to dissemble, to act the hypocrite, to wear a mask. This is the hardest word that Jesus has for any class of people and he employs it for these pious pretenders who pose as perfect. {They have received their reward} (\apechousin ton misthon autn\). This verb is common in the papyri for receiving a receipt, "they have their receipt in full," all the reward that they will get, this public notoriety. "They can sign the receipt of their reward" (Deissmann, _Bible Studies_, p. 229). Songs:_Light from the Ancient East_, pp. 110f. \Apoch\ means "receipt." Songs:also in strkjv@6:5|.

rwp@Matthew:24:31 @{With a great sound of a trumpet} (\meta salpiggos phns megals\). Some MSS. omit (\phns\) "sound." The trumpet was the signal employed to call the hosts of Israel to march as to war and is common in prophetic imagery (Isaiah:27:13|). Cf. the seventh angel (Revelation:11:15|). Clearly "the coming of the son of man is not to be identified with the judgment of Jerusalem but rather forms its preternatural background" (Bruce).

rwp@Revelation:1:10 @{I was in the Spirit} (\egenomn en pneumati\). Rather, "I came to be (as in strkjv@1:9|) in the Spirit," came into an ecstatic condition as in strkjv@Acts:10:10f.; strkjv@22:17|, not the normal spiritual condition (\einai en pneumati\, strkjv@Romans:8:9|). {On the Lord's Day} (\en ti kuriaki hmeri\). Deissmann has proven (_Bible Studies_, p. 217f.; _Light_, etc., p. 357ff.) from inscriptions and papyri that the word \kuriakos\ was in common use for the sense "imperial" as imperial finance and imperial treasury and from papyri and ostraca that \hmera Sebast\ (Augustus Day) was the first day of each month, Emperor's Day on which money payments were made (cf. strkjv@1Corinthians:16:1f.|). It was easy, therefore, for the Christians to take this term, already in use, and apply it to the first day of the week in honour of the Lord Jesus Christ's resurrection on that day (_Didache_ 14, Ignatius _Magn_. 9). In the N.T. the word occurs only here and strkjv@1Corinthians:11:20| (\kuriakon deipnon the Lord's Supper\). It has no reference to \hmera kuriou\ (the day of judgment, strkjv@2Peter:3:10|). {Behind me} (\opis mou\). "The unexpected, overpowering entrance of the divine voice" (Vincent). Cf. strkjv@Ezekiel:3:12|. {Voice} (\phnn\). Of Christ, as is plain in verses 12f|. {As of a trumpet} (\hs salpiggos\). Songs:in strkjv@4:1| referring to this. {Saying} (\legouss\). Present active participle genitive case agreeing with \salpiggos\ rather than \legousan\, accusative agreeing with \phnn\. Songs:on purpose, as is clear from strkjv@4:1|, where \lalouss\ also agrees with \salpiggos\.

rwp@Revelation:4:1 @{After these things} (\meta tauta\). Change in the panorama, not chronology (7:1,9; strkjv@15:5; strkjv@18:1; strkjv@19:1|). This vision is of heaven, not of earth as was true of chapters strkjv@Revelation:1; 2|. The first vision of Christ and the messages to the seven churches began in strkjv@1:12f|. This new vision of the throne in heaven (4:1-11|) succeeds that to which it here alludes. {I saw} (\eidon\). Second aorist active indicative of \hora\. {Behold} (\idou\). Exclamation of vivid emotion as John looked. No effect on the structure and nominative case \thura\ (door) follows it. {Opened} (\neigmen\). Perfect (triple reduplication) passive participle of \anoig\ as in strkjv@3:8| (door of opportunity) and strkjv@3:20| (door of the heart), here the door of revelation (Swete). {In heaven} (\en ti ourani\). As in strkjv@Ezekiel:1:1; strkjv@Mark:1:10; strkjv@John:1:51|. In Revelation always in singular except strkjv@12:12|. {The first} (\h prt\). Reference is to strkjv@1:10|. {Speaking} (\lalouss\). From \lale\, rather \legouss\ of strkjv@1:10| from \leg\, both agreeing with \salpiggos\ (trumpet). {Saying} (\legn\). Present active participle of \leg\ repeating the idea of \lalouss\, but in the nominative masculine singular construed with \phn\ (feminine singular), construction according to sense because of the person behind the voice as in strkjv@11:15; strkjv@19:14|. {Come up} (\anaba\). Short _Koin_ form for \anabthi\ (second aorist active imperative second person singular of \anabain\). {Hither} (\hde\). Originally "here," but vernacular use (John:6:25; strkjv@10:27|). {I will show} (\deix\). Future active of \deiknumi\ in same sense in strkjv@1:1|. {Hereafter} (\meta tauta\). Some editors (Westcott and Hort) connect these words with the beginning of verse 2|.

rwp@Revelation:8:2 @{Stand} (\hestkasin\). Perfect active of \histmi\ (intransitive). Another "hebdomad" so frequent in the Apocalypse. The article (the seven angels) seems to point to seven well-known angels. In Enoch strkjv@20:7 the names of seven archangels are given (Uriel, Raphael, Raguel, Michael, Sariel, Gabriel, Remiel) and "angels of the Presence" is an idea like that in strkjv@Isaiah:63:9|. We do not know precisely what is John's idea here. {Seven trumpets} (\hepta salpigges\). We see trumpets assigned to angels in strkjv@Matthew:24:31; strkjv@1Thessalonians:4:16; strkjv@1Corinthians:15:52; strkjv@Revelation:4:1,4|. See also the use of trumpets in strkjv@Joshua:6:13; strkjv@Joel:2:1|. These seven trumpets are soon to break the half hour of silence. Thus the seven trumpets grow out of the opening of the seventh seal, however that fact is to be interpreted.

rwp@Revelation:8:3 @{Another angel} (\allos aggelos\). Not one of the seven of verse 2| and before they began to sound the trumpets. This preliminary incident of the offering of incense on the altar covers verses 3-6|. {Stood} (\estath\). Ingressive first aorist passive of \histmi\ (intransitive), "took his place." {Over the altar} (\epi tou thusiastriou\). See strkjv@6:9| for the word for the burnt-offering, here apparently the altar of incense (clearly so in strkjv@Luke:1:11|; possibly also strkjv@Revelation:9:13|), but it is not clear that in apocalyptic the distinction between the two altars of the tabernacle and temple is preserved. Aleph C Q have the genitive, while A P have the accusative \epi to thusiastrion\. {A golden censer} (\libanton chrusoun\). Old word for frankincense (from \libanos\, strkjv@Matthew:2:11; strkjv@Revelation:18:13|), but here alone in N.T. and for censer, as is plain by the use of \chrusoun\ (golden) with it. Cf. strkjv@1Kings:7:50|. {Much incense} (\thumiamata polla\). See strkjv@5:8| for \thumiama\ (the aromatic substance burnt, also in strkjv@18:13|), but here for the live coals on which the incense falls. {That he should add} (\hina dsei\). Sub-final clause (subject of \edoth\, was given, singular because \thumiamata\ neuter plural) with \hina\ and the future active indicative of \didmi\, to give, instead of \di\, the second aorist subjunctive. {Unto the prayers} (\tais proseuchais\). Dative case. In strkjv@5:18| the \thumiamata\ are the prayers. {Upon the golden altar} (\epi to thusiastrion to chrusoun to\). Accusative case here, not genitive as above, and apparently the altar of incense as indicated by the word golden (Exodus:30:1ff.; strkjv@Leviticus:4:17|). Note triple article here \to\ (once before the substantive, once before the adjective, once before the adjunct "the one before the throne").

rwp@Revelation:8:7 @{Sounded} (\esalpisen\). First aorist active indicative of \salpiz\, repeated with each angel in turn (8:8,10,12; strkjv@9:1,13; strkjv@11:15|). {Hail and fire mingled with blood} (\chalaza kai pur memigmena en haimati\). Like the plague of hail and fire in strkjv@Exodus:9:24|. The first four trumpets are very much like the plagues in Egypt, this one like a semitropical thunderstorm (Swete) with blood like the first plague (Exodus:7:17ff.; strkjv@Psalms:106:35|). The old feminine word \chalaza\ (hail) is from the verb \chala\, to let down (Mark:2:4|), in N.T. only in strkjv@Revelation:8:7; strkjv@11:19; strkjv@16:21|. The perfect passive participle \memigmena\ (from \mignumi\, to mix) is neuter plural because of \pur\ (fire). {Were cast} (\eblth\). First aorist passive singular because \chalaza\ and \pur\ treated as neuter plural. "The storm flung itself on the earth" (Swete). {Was burnt up} (\kateka\). Second aorist (effective) passive indicative of \katakai\, old verb to burn down (effective use of \kata\, up, we say). Repeated here three times for dramatic effect. See strkjv@7:1-3| about the trees and strkjv@9:4| where the locusts are forbidden to injure the grass.

rwp@Revelation:8:13 @{An eagle} (\henos aetou\). "One eagle," perhaps \henos\ (\heis\) used as an indefinite article (9:13; strkjv@18:21; strkjv@19:17|). See strkjv@4:7| also for the flying eagle, the strongest of birds, sometimes a symbol of vengeance (Deuteronomy:28:49; strkjv@Hosea:8:1; strkjv@Habbakkuk:1:8|). {Flying in mid-heaven} (\petomenou en mesouranmati\). Like the angel in strkjv@14:6| and the birds in strkjv@19:17|. \Mesouranma\ (from \mesourane\ to be in mid-heaven) is a late word (Plutarch, papyri) for the sun at noon, in N.T. only these three examples. This eagle is flying where all can see, and crying so that all can hear. {Woe, woe, woe} (\ouai, ouai, ouai\). Triple because three trumpets yet to come. In strkjv@18:10,16,19| the double \ouai\ is merely for emphasis. {For them that dwell on the earth} (\tous katoikountas\). Accusative of the articular present active participle of \katoike\, is unusual (Aleph Q here and also in strkjv@12:12|) as in strkjv@Matthew:11:21|. There is even a nominative in strkjv@18:10|. {By reason of the other voices} (\ek tn loipn phnn\). "As a result of (\ek\) the rest of the voices." There is more and worse to come, "of the three angels who are yet to sound" (\tn trin aggeln tn mellontn salpizein\).

rwp@Revelation:9:14 @{One saying to the sixth angel} (\legonta ti hekti\). Accusative masculine singular active participle of \leg\, personifying \phnn\ and agreeing with it in case, though not in gender. This voice speaks to the sixth angel (dative case). {Which had the trumpet} (\ho echn tn salpigga\). Nominative case in apposition with \aggeli\ (dative), the same anomalous phenomenon in strkjv@2:20; strkjv@3:12; strkjv@14:12|. Swete treats it as a parenthesis, like strkjv@4:1; strkjv@11:15|. {Loose} (\luson\). First aorist (ingressive) active imperative of \lu\, "let loose." Another group of four angels (7:1|) like strkjv@Acts:12:4|, described here "which are bound" (\tous dedemenous\). Perfect passive articular participle of \de\, evidently the leaders of the demonic horsemen (9:15ff.|) as the four angels let loose the demonic locusts (7:1ff.|), both quaternions agents of God's wrath. {At the great river Euphrates} (\epi ti potami ti megali Euphrati\). A regular epithet of the Euphrates (16:12; strkjv@Genesis:15:18; strkjv@Deuteronomy:1:7|). It rises in Armenia and joins the Tigris in lower Babylonia, a total length of nearly 1800 miles, the eastern boundary of the Roman Empire next to Parthia.

rwp@Revelation:9:15 @{Were loosed} (\eluthsan\). First aorist (ingressive) passive indicative of \lu\, "were let loose." {Which had been prepared} (\hoi htoimasmenoi\). Perfect passive articular participle of \hetoimaz\, to make ready (\hetoimos\), in a state of readiness prepared by God (12:6; strkjv@16:12; strkjv@Matthew:25:34|). {For the hour and day and month and year} (\eis tn hran kai hmeran kai mna kai eniauton\). For this use of \eis\ with \htoimasmenon\ see strkjv@2Timothy:2:21|. All preparation over, the angels are waiting for the signal to begin. {That they should kill} (\hina apokteinsin\). The same idiom in verse 5| about the fifth trumpet, which brought torture. This one brings death.

rwp@Revelation:10:1 @{Another strong angel} (\allon aggelon ischuron\). But the seventh trumpet does not sound till strkjv@11:15|. This angel is not one of the seven or of the four, but like the other strong angel in strkjv@5:2; strkjv@18:21| or the other angel in strkjv@14:6,15|. The sixth trumpet of strkjv@9:13| ends in strkjv@9:21|. The opening of the seventh seal was preceded by two visions (chapter strkjv@Revelation:7|) and so here the sounding of the seventh trumpet (11:15|) is preceded by a new series of visions (10:1-11:14|). {Coming down out of heaven} (\katabainonta ek tou ouranou\). Present active participle of \katabain\ picturing the process of the descent as in strkjv@20:1| (cf. strkjv@3:12|). {Arrayed with a cloud} (\peribeblmenon nepheln\). Perfect passive participle of \periball\ with accusative case retained as in strkjv@7:9,13|. Not proof that this angel is Christ, though Christ will come on the clouds (1:7|) as he ascended on a cloud (Acts:1:9|). God's chariot is in the clouds (Psalms:104:3|), but this angel is a special messenger of God's. {The rainbow} (\h iris\). See strkjv@4:3| for this word. The construction here is changed from the accusative to the nominative. {As the sun} (\hs ho hlios\). The very metaphor applied to Christ in strkjv@1:16|. {As pillars of fire} (\hs stuloi puros\). Somewhat like the metaphor of Christ in strkjv@1:15|, but still no proof that this angel is Christ. On \stulos\ see strkjv@3:12; strkjv@Galatians:2:9|.

rwp@Revelation:10:6 @{Sware} (\mosen\). First aorist indicative of \omnu\ to swear. {By him that liveth} (\en ti znti\). This use of \en\ after \omnu\ instead of the usual accusative (James:5:12|) is like the Hebrew (Matthew:5:34,36|). "The living one for ages of ages" is a common phrase in the Apocalypse for God as eternally existing (1:18; strkjv@4:9,10; strkjv@15:7|). This oath proves that this angel is not Christ. {Who created} (\hos ektisen\). First aorist active indicative of \ktiz\, a reference to God's creative activity as seen in strkjv@Genesis:1:1ff.; strkjv@Exodus:20:11; strkjv@Isaiah:37:16; strkjv@42:5; strkjv@Psalms:33:6; strkjv@145:6|, etc. {That there shall be time no longer} (\hoti chronos ouketi estai\). Future indicative indirect discourse with \hoti\. But this does not mean that \chronos\ (time), Einstein's "fourth dimension" (added to length, breadth, height), will cease to exist, but only that there will be no more delay in the fulfillment of the seventh trumpet (verse 7|), in answer to the question, "How long?" (6:10|).

rwp@Revelation:11:1 @{A reed} (\kalamos\). Old word for a growing reed (Matthew:11:7|) which grew in immense brakes in the Jordan valley, a writer's reed (3John:1:7|), a measuring-rod (here, strkjv@21:15f.; strkjv@Ezekiel:40:3-6; strkjv@42:16-19|). {Like a rod} (\homoios rabdi\). See strkjv@2:27; strkjv@Mark:6:8| for \rabdos\. {And one said} (\legn\). "Saying" (present active masculine participle of \leg\) is all that the Greek has. The participle implies \edken\ (he gave), not \edoth\, a harsh construction seen in strkjv@Genesis:22:20; strkjv@38:24|, etc. {Rise and measure} (\egeire kai metrson\). Present active imperative of \egeir\ (intransitive, exclamatory use as in strkjv@Mark:2:11|) and first aorist active imperative of \metre\. In strkjv@Ezekiel:42:2ff.| the prophet measures the temple and that passage is probably in mind here. But modern scholars do not know how to interpret this interlude (11:1-13|) before the seventh trumpet (11:15|). Some (Wellhausen) take it to be a scrap from the Zealot party before the destruction of Jerusalem, which event Christ also foretold (Mark:13:2; strkjv@Matthew:24:2; strkjv@Luke:21:6|) and which was also attributed to Stephen (Acts:6:14|). Charles denies any possible literal interpretation and takes the language in a wholly eschatological sense. There are three points in the interlude, however understood: the chastisement of Jerusalem or Israel (verses 1,2|), the mission of the two witnesses (3-12|), the rescue of the remnant (13|). There is a heavenly sanctuary (7:15; strkjv@11:19; strkjv@14:15|, etc.), but here \naos\ is on earth and yet not the actual temple in Jerusalem (unless so interpreted). Perhaps here it is the spiritual (3:12; strkjv@2Thessalonians:2:4; strkjv@1Corinthians:3:16f.; strkjv@2Corinthians:6:16; strkjv@Ephesians:2:19ff.|). For altar (\thusiastrion\) see strkjv@8:3|. Perhaps measuring as applied to "them that worship therein" (\tous proskunountas en auti\) implies a word like numbering, with an allusion to the 144,000 in chapter 7 (a zeugma).

rwp@Revelation:11:6 @{To shut the heaven} (\kleisai ton ouranon\). First aorist active infinitive of \klei\. As Elijah did by prayer (1Kings:17:1; strkjv@Luke:4:25; strkjv@James:5:17|). {That it rain not} (\hina m huetos brechi\). Sub-final use of \hina m\ with the present active subjunctive of \brech\, old verb to rain (Matthew:5:45|), here with \huetos\ as subject. {During the days} (\tas hmeras\). Accusative of extent of time. In strkjv@Luke:4:25; strkjv@James:5:17| the period of the drouth in Elijah's time was three and a half years, just the period here. {Of their prophecy} (\ts prophteias autn\). Not here the gift of prophecy (1Corinthians:12:10|) or a particular prophecy or collection of prophecies (Revelation:1:3; strkjv@22:7f.|), but "the execution of the prophetic office" (Swete). {Over the waters} (\epi tn hudatn\). "Upon the waters." As Moses had (Exodus:7:20|). {Into blood} (\eis haima\). As already stated in strkjv@8:8| about the third trumpet and now again here. {To smite} (\pataxai\). First aorist active infinitive of \patass\, used here with \exousian echousin\ (they have power), as is \strephein\ (to turn). {With every plague} (\en pasi plgi\). In strkjv@1Kings:4:8|, but with reference to the plagues in Egypt. {As often as they shall desire} (\hosakis ean thelssin\). Indefinite temporal clause with \hosakis\ and modal \ean\ (= \an\) and the first aorist active subjunctive of \thel\, "as often as they will."

rwp@Revelation:11:14 @{Is past} (\aplthen\). Second aorist active indicative of \aperchomai\. See strkjv@9:12| for this use and strkjv@21:1,4|. The second woe (\h ouai h deutera\) is the sixth trumpet (9:12|) with the two episodes attached (10:1-11:13|). {The third woe} (\h ouai h trit\, feminine as in strkjv@9:12|) is the seventh trumpet, which now "cometh quickly" (\erchetai tachu\), for which phrase see strkjv@2:16; strkjv@3:11; strkjv@22:7,12,20|. Usually pointing to the Parousia.

rwp@Revelation:15:1 @{Another sign in heaven} (\allo smeion en ti ourani\). Looking back to strkjv@12:1,3|, after the series intervening. The Seven Bowls are parallel with the Seven Seals (ch. strkjv@Revelation:6|) and the Seven Trumpets (chapters strkjv@Revelation:8-11|), but there is an even closer connection with chapters strkjv@Revelation:12-14|, "the drama of the long conflict between the church and the world" (Swete). {Great and marvellous} (\mega kai thaumaston\). \Thaumastos\ is an old verbal adjective (from \thaumaz\, to wonder) and is already in strkjv@Matthew:21:42|. The wonder extends to the end of this vision or sign (16:21|). {Seven angels} (\aggelous hepta\). Accusative case in apposition with \smeion\ after \eidon\. Cf. strkjv@8:2|. {Which are the last} (\tas eschatas\). "Seven plagues the last." As in strkjv@21:9|, "the final cycle of such visitations" (Swete). {Is finished} (\etelesth\). Proleptic prophetic first aorist passive indicative of \tele\ as in strkjv@10:7|. The number seven seems particularly appropriate here for finality and completeness.

rwp@Revelation:16:3 @{Into the sea} (\eis tn thalassan\). Like the first Egyptian plague (Exodus:7:12-41|) though only the Nile affected then. {Blood as of a dead man} (\haima hs nekrou\). At the trumpet (8:11|) the water becomes wormwood. Here \hs nekrou\ is added to strkjv@Exodus:7:19|, "the picture of a murdered man weltering in his blood" (Swete). "Coagulated blood, fatal to animal life" (Moffatt). {Every living soul} (\psa psuch zs\). "Every soul of life" (Hebraism, strkjv@Genesis:1:21|, marked by life). {Even the things that were in the sea} (\ta en ti thalassi\). "The things in the sea," in apposition with \psuch\. Complete destruction, not partial as in strkjv@8:9|.

rwp@Revelation:16:8 @{Upon the sun} (\epi ton hlion\). Not \eis\ (into) as in verses 2,3,4|. The fourth trumpet (8:12|) affected a third of the sun, moon, and stars with a plague of darkness, but here it is a plague of extreme heat. {To scorch with fire} (\kaumatisai en puri\). First aorist active infinitive of \kaumatiz\, late (Plutarch, Epictetus) causative verb (from \kauma\, heat), in N.T. only here and verse 9; strkjv@Matthew:13:6; strkjv@Mark:4:6|. The addition of \en puri\ (in fire, with fire) intensifies the picture.

rwp@Revelation:16:12 @{Upon the great river, the river Euphrates} (\epi ton potamon ton megan ton Euphratn\). The sixth trumpet brings up the river Euphrates also (9:14|), only there \epi\ with the locative, while here \epi\ with the accusative. Note triple use of the article \ton\ here. {Was dried up} (\exranth\). First aorist (prophetic) passive of \xrain\ (14:15|). Cf. strkjv@Zechariah:10:11|. {That may be made ready} (\hina hetoimasthi\). Purpose clause with \hina\ and the first aorist passive of \hetoimaz\. Common verb in Rev. (8:6; strkjv@9:7,15; strkjv@12:6; strkjv@19:7; strkjv@21:2|). {The way for the kings} (\h hodos tn basilen\). Objective genitive \basilen\. {That come from the sunrising} (\tn apo anatols heliou\). "Those from the rising of the sun," the kings from the east (cf. strkjv@Matthew:2:2|) in their march against Rome. Parthia in particular resisted Rome before Trajan's day.

rwp@Revelation:18:22 @{The voice} (\phn\). Cf. strkjv@Ezekiel:26:13|. Or "sound" as in strkjv@1Corinthians:14:8| with \salpigx\ (trumpet). For this song of judgment see strkjv@Jeremiah:25:10|. {Of harpers} (\kitharidn\). Old word (from \kithara\, harp, and \idos\, singer) as in strkjv@14:2|. {Of minstrels} (\mousikn\). Old word (from \mousa\, music), here only in N.T., one playing on musical instruments. {Of flute-players} (\aultn\). Old word (from \aule\, to play on a flute, strkjv@Matthew:11:17|, \aulos\, flute, strkjv@1Corinthians:14:7|), in N.T. only here and strkjv@Matthew:9:23|. {Of trumpeters} (\salpistn\). Late form for the earlier \salpigkts\ (from \salpiz\), here only in N.T. {Shall be heard no more at all} (\ou m akousthi\). First aorist passive subjunctive of \akou\ with the double negative as below, with \phn mulou\ (sound of the millstone), and as in verse 21| with \ou me heurethi\ and again with \ps technits\ (craftsman). This old word is from \techn\, art, as here in some MSS. ("of whatsoever craft," \pass techns\). \Technits\ occurs also in this sense in strkjv@Acts:19:24,38|; and in strkjv@Hebrews:11:10| of God as the Architect. There is power in this four-fold sonorous repetition of \ou m\ and the subjunctive with two more examples in verse 23|.

rwp@Info_Revelation @ THEORIES OF INTERPRETATION They are literally many. There are those who make the book a chart of Christian and even of human history even to the end. These divide into two groups, the continuous and the synchronous. The continuous historical theory takes each vision and symbol in succession as an unfolding panorama. Under the influence of this theory there have been all sorts of fantastic identifications of men and events. The synchronous theory takes the series of sevens (seals, trumpets, bowls) as parallel with each other, each time going up to the end. But in neither case can any satisfactory program be arranged. Another historical interpretation takes it all as over and done, the preterist theory. This theory again breaks into two, one finding the fulfilment all in the Neronic period, the other in the Domitianic era. Something can be said for each view, but neither satisfies the whole picture by any means. Roman Catholic scholars have been fond of the preterist view to escape the Protestant interpretation of the second beast in chapter strkjv@Revelation:13| as papal Rome. There is still another interpretation, the futurist, which keeps the fulfilment all in the future and which can be neither proved nor disproved. There is also the purely spiritual theory which finds no historical allusion anywhere. This again can be neither proved nor disproved. One of the lines of cleavage is the millennium in chapter strkjv@Revelation:20|. Those who take the thousand years literally are either pre-millennialists who look for the second coming of Christ to be followed by a thousand years of personal reign here on earth or the postmillennialists who place the thousand years before the second coming. There are others who turn to strkjv@2Peter:3:8| and wonder if, after all, in a book of symbols this thousand years has any numerical value at all. There seems abundant evidence to believe that this apocalypse, written during the stress and storm of Domitian's persecution, was intended to cheer the persecuted Christians with a view of certain victory at last, but with no scheme of history in view.