NT-EPISTLES.filter - rwp enormous:

rwp@Acts:19:29 @{With the confusion} (\ts sugchuses\). Genitive case after \eplsth\. An old word, but in the N.T. only here, from verb \sugche\, to pour together like a flood (only in Acts in the N.T.). Vivid description of the inevitable riot that followed "the appearance of such a body in the crowded agora of an excitable city" (Rackham) "vociferating the city's watch-word." {They rushed} (\hrmsan\). Ingressive aorist active indicative of \horma\, old verb for impetuous dashing, a case of mob psychology (mob mind), with one accord (\homothumadon\ as in strkjv@Acts:1:14|, etc.). {Into the theatre} (\eis to theatron\). A place for seeing (\theaomai\) spectacles, originally for dramatic representation (Thucydides, Herodotus), then for the spectators, then for the spectacle or show (1Corinthians:4:9|). The theatre (amphitheatre) at Ephesus can still be traced in the ruins (Wood, _Ephesus_) and shows that it was of enormous size capable of seating fifty-six thousand persons (some estimate it only 24,500). It was the place for large public gatherings of any sort out of doors like our football and baseball parks. In particular, gladiatorial shows were held in these theatres. {Having seized Gaius and Aristarchus men of Macedonia} (\sunarpasantes Gaion kai Aristarchon Makedonas\). See strkjv@6:12| for this same verb. They wanted some victims for this "gladiatorial" show. These two men were "Paul's companions in travel" (\sunekdmous Paulou\), together (\sun\) with Paul in being abroad, away from home or people (\ek-dmous\, late word, in the N.T. only here and strkjv@2Corinthians:8:19|). How the mob got hold of Gaius (Acts:20:4|) and Aristarchus (20:4; strkjv@27:2; strkjv@Colossians:4:10; strkjv@Philemon:1:24|) we do not know whether by accidental recognition or by search after failure to get Paul. In strkjv@Romans:16:4| Paul speaks of Priscilla and Aquila as those "who for my life laid down their own necks." Paul lived with them in Ephesus as in Corinth. It is possible that Demetrius led the mob to their house and that they refused to allow Paul to go or to be seized at the risk of their own lives. Paul himself may have been desperately ill at this time as we know was the case once during his stay in Ephesus when he felt the answer of death in himself (2Corinthians:1:9|) and when God rescued him. That may mean that, ill as he was, Paul wanted to go and face the mob in the theatre, knowing that it meant certain death.

rwp@Luke:21:5 @{As some spake} (\tinn legontn\). Genitive absolute. The disciples we know from strkjv@Mark:13:1; strkjv@Matthew:24:1|. {How} (\hoti\). Literally, "that." {It was adorned} (\kekosmtai\). Perfect passive indicative, state of completion, stands adorned, tense retained in indirect discourse, though English has to change it. \Kosme\, old and common verb for orderly arrangement and adorning. {With goodly stones and offerings} (\lithois kalois kai anathmasin\). Instrumental case. Some of these stones in the substructure were enormous. "The columns of the cloister or portico were monoliths of marble over forty feet high" (Plummer). Cf. Josephus, _War_, V.5. The word \anathma\ (here only in the N.T.) is not to be confused with \anathema\ from the same verb \anatithmi\, but which came to mean a curse (Galatians:1:8; strkjv@Acts:23:14|). Songs:\anathema\ came to mean devoted in a bad sense, \anathma\ in a good sense. "Thus _knave_, lad, becomes a _rascal; villain_, a _farmer_, becomes a _scoundrel; cunning_, _skilful_, becomes _crafty_" (Vincent). These offerings in the temple were very numerous and costly (2Macc. strkjv@3:2-7) like the golden vine of Herod with branches as tall as a man (Josephus, _Ant_. XV. ii.3).